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1

Logos or Imago?

100%
Kuczyńska A.
Dialogue and Universalism
|
2018
|
issue 1
89-102
EN
In the Renaissance there was a kind of linguistic-pictorial osmosis, in which mythological configurations derived from antique literature, the poetic metaphoric of Neoplatonism, semi-fantastic and semi-realistic visions and a visible penchant for decorative rhetoric intertwined with elements of rational thought, the cult of nature, traditional reference to higher authority and practical as well as theoretical acceptance of pictorial symbolic. This language was employed to explore philosophical, ethical, and even natural categories related to issues like the beginnings of the world and nature, death, transience, vanity (vanitas),3 temperance, virtue (virtu), harmony, vita activa and contemplativa— categories in which the people of the era strove to describe youth, maturity, old age and death. In this specific language writing about a truth, idea or moral principle primarily involved presenting it as a picture, a concrete, sensually embraceable form, thing or person. Thus, if it was necessary, logos followed imago, which was genetically precedent and most important in the cognitive sense.
2
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PŁEĆ PSYCHOLOGICZNA A ASERTYWNOŚĆ W BLISKICH ZWIĄZKACH

100%
Kuczyńska A.
Rocznik Lubuski
|
2016
|
vol. 42
|
issue 1
19-35
PL
Celem przeprowadzonych badań było udzielenie odpowiedzi na trzy pytania badawcze. Pierwsze dotyczyło częstości z jaką kobiety i mężczyźni w bliskich związkach prezentują wobec siebie zachowania świadczące o ich asertywności, drugie wiązało się z poznaniem roli jaką odgrywa płeć psychologiczna w podejmowaniu tego typu zachowań, a trzecie konsekwencji jakie wynikają z podejmowania tego rodzaju zachowań dla zadowolenia z intymnej relacji. W przeprowadzonych badaniach uczestniczyło 60 par (120 osób). Wykorzystano trzy narzędzia samoopisowe: własnej konstrukcji Kwestionariusz Zachowań Asertywnych w Związkach, Inwentarz Płci Psychologicznej A. Kuczyńskiej oraz Kwestionariusz Miłości B. Wojciszke. Badania wykazały m.in., że kobiety częściej wyrażają wobec swoich partnerów prośby i oczekiwania oraz negatywne opinie, a mężczyźni częściej niż ich partnerki prezentują nadmierną uległość. Kobiecość nie miała związku z częstością podejmowania zachowań świadczących o asertywności, a męskość była słabo, ale istotnie związana z wyrażaniem próśb i oczekiwań przez kobiety i mężczyzn oraz nadmierną uległością u mężczyzn. Im rzadziej kobiety prezentowały zachowania nadmiernej uległości oraz unikania konfliktów tym wyższa była satysfakcja ze związku doświadczana zarówno przez kobiety jak i mężczyzn. Im częściej kobiety wyrażają swoje prośby i oczekiwania wobec swoich partnerów tym były one i ich partnerzy zadowoleni ze swoich relacji. Rezultaty badań interpretowano w aspekcie współczesnych teorii i dotychczasowych wyników badań.
EN
The aim of the research was to answer three research questions. The first referred to the frequency with which women and men in close relationships are assertive towards each other, the second was connected with discovering the role of psychological gender in this type of behaviour, and the third was about the consequences of such behaviour on the level of satisfaction with an intimate relation. The research comprised 60 couples (120 individuals). Three self-descriptive instruments were used: the author’s own design, a Questionnaire of Assertive Behaviour in Relationships, the Bem Sex-Role Inventory by A. Kuczyńska and the Love Questionnaire by B. Wojciszke. The research shows, among others, that women express requests and expectations towards their partners as well as negative opinions more often, while men, more often than their partners, present excessive submissiveness. There was no connection between femininity and assertive behaviour, while masculinity was feebly, but importantly connected with expressing requests and expectations by women and presenting excessive submissiveness by men. The less frequently women presented excessive submissiveness and strategies of avoiding conflicts, the bigger was the satisfaction with the relationship for both women and men. The more frequently women express their requests and expectations towards their partners, the more satisfied with the relationships they and their partners are. The results of the research were interpreted in relation to modern theories and results of earlier research.
3

The Faces of Eros

100%
Kuczyńska A.
Dialogue and Universalism
|
2018
|
issue 1
77-88
EN
The paper examines the Renaissance philosophy of love, grasped as a “metaphysics of love.” Alongside its metaphysical interpretation, the phenomenon of Renaissance philosophy of love was subject to two other kinds of analysis: it was viewed either through the prism of its spiritual form, or as a fashionable social game which demanded that “every courtier recognise knowledge about how many and what varieties of love there are as necessary for his trade.” The author of the Renaissance theory of love was the philosopher Marsilio Ficino, an “alter Plato;” so it is his views on love which are examined in this paper.
4
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Problematyka obyczajowa w pismach Adama Gdacjusza — autora śląskiego z XVII w.

100%
Kuczyńska A., Międzyuczelniany Instytut Nauk Politycznych Z. D. P. N. P.
Acta Universitatis Lodziensis. Folia Historica
|
1981
|
vol. 2
RU
Одним из величайших авторов XVII в., которые занимались бытовой проблематикой, был сленскнй пастор, постоянно пишущий по польски, четко акцентирующий свое польское происхождение Адам Гдациуш. Большинство его взглядов были только продолжением протестантских или же также католических писателей, занимающихся бытовой проблематикой. Одновременно, однако, по некоторым вопросам этот же автор мещанского происхождения, связанный со средневековым сленским мещанством, сумел оторваться от установленных в литературе того времени нормалнзаторских схем и выдвинуть новые, прогрессивные, как на те времена, взгляды. Например, прогрессивными взглядами Гдациуша были взгляды на роль женщины в семье, как жены и матери. Интересны были также его взгляды и замечания, касающиеся проблемы семьи, супружества и воспитания детей.
5

The Position of Aesthetics in the Early Renaissance and the Philosophy of Marsilio Ficino

100%
Kuczyńska A.
Dialogue and Universalism
|
2018
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issue 1
61-76
EN
Thee paper presents Marcilio Ficino’s aesthetics which is of a specific kind and differs from what we usually understand under the term. It expresses more than only thoughts on beauty and art, speaks about more than only the varieties of beauty, and deals with more than just the work of art—the object of art—and its relation to beauty. Traditional concepts played an important part in Ficino’s aesthetics, but alongside narrowly understood “proper” aesthetics, he offered another, very broad view of the entire aesthetic sphere, which allows his entire philosophy to be viewed as aesthetically rooted: love and beauty, which are among the driving ideas of his philosophy, are also aesthetic concepts. There are two other important elements in Ficino’s philosophy, God and the world, bound by a special relation based on his concept of the circuitus spiritualis. A cardinal theme in his philosophy, the circuitus spiritualis combines God with the world and is at once beauty, love and the highest degree of happiness.
6

Melancholia and Hope: Alternatives or Opposites?

100%
Kuczyńska A.
Dialogue and Universalism
|
2018
|
issue 1
23-40
EN
This is the second part of the investigations of melancholia. Melancholia is examined here in relation to one of its opposition, namely hope. Reflection on melancholia entails reference to conditions commonly regarded as aggravating: sadness, uncertainty, indecision, self-criticism, despair, disenchantment, fear, desperation or bitterness. This content is common both to melancholia and hope; the difference lies in the kind of behaviour it evokes. Not yet either hope or melancholia, it is already conspicuously developing the characteristics of one of the options. This moment is especially important in the process of artistic creation. The tension that appears between both poles enables the experiencing subject to feel indecision about its choice, and hence to ultimately declare itself on one or the other side.
7

Mysterious Eergies. The Rennaisance Gardens of Philosophers

100%
Kuczyńska A.
Dialogue and Universalism
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2018
|
issue 1
41-59
EN
In the Renaissance the beauty of a garden was for people a source of energy, it nurtured their inherent love of plant life, enchanted them and gave them a sense of pure aesthetic contentment. This fascination with nature and the values nurtured by the emerging culture of the garden also had broader reasons than just the desire for subjective experience. They can be sought in the belief that the style of an epoch is reflected not only in all the forms of pure art, but also in the sphere of applied art. The aesthetic criteria which determined the early-Renaissance conception of the garden were at least twofold: first, the then-emerging culture of the garden co-formed the identity of the entire era as one of the few enclaves of a rising trend away from the classical tradition. The culture of the garden contested the adulation of the Antique that was common at the time and ruled supremely in art.
8

Sweet Melancholia: The Melancholic “I”— Between Inspiration Source and Ailment

100%
Kuczyńska A.
Dialogue and Universalism
|
2018
|
issue 1
9-22
EN
The paper examines the phenomenon of melancholia, taking into account views on it by Emil Cioran, Joseph Campbell, Jerzy Kosiński, Georg Simmel and Maurice Merleau- Ponty. Regardless of its commonly known clinical variant—which is not the subject of the presented reflections—melancholia has no clear philosophical definition, because its status usually resembles a clinging plant affixed to and “fed” by more concise thought constructs. It is demonstrated that the self-disclosure imperative is an essential aspect of melancholia and that a typical and frequent symptom of melancholia is rejection of others and immersion in indifference, desperation, silent apathy and loneliness.
9

Katarzyna Kobro. A Vision of the Open Sculpture

100%
Kuczyńska A.
Dialogue and Universalism
|
2018
|
issue 1
115-124
EN
The paper is on Katarzyna Kobro’s artistic achievements and theoretical writings which present the foreshadowing of a new understanding of the space, articulated later by philosophers. Her and her husband conception of avant-garde sculpture postulates new mechanisms of seeing reality. By eliminating borders between sculpture and space, Kobro initiated a true breakthrough in art. Her achievement should be recognized for its truly pioneering and visionary status. Kobro was one of the first artists who revealed the intimate relation between art and its environment.
10

The Status of History and the Subject of Aesthetics

100%
Kuczyńska A.
Dialogue and Universalism
|
2018
|
issue 1
137-150
EN
The paper investigates changes in today aesthetics. It is demonstrated that the ongoing transformation of traditional aesthetics into aisthesis with its broader scope of influence calls for a review of to-date methodology in aesthetical research. Historical doxography, mere accounts of the past—even relating the most coherent and complete developments and events—hardly (if at all) harmonise with the new approach to aesthetics, and could well distort and weaken it. The enlargement of the subject-matter of aesthetics and the clash between aesthetics and the aporias of the modern approach to history allow both fields to experience modernity to a rather broad degree; both refer to aesthetics.
11

Symposium

100%
Kuczyńska A.
Dialogue and Universalism
|
2018
|
issue 1
103-114
EN
The paper examines The Endless Column by Mircea Eliade and the main problem of this play, i.e. that of transcendence. It is shown that The Endless Column constitutes a summa of Eliade’s anthropological and philosophical ideas. Besides, the play refers to the indirect genetic determinants of the conception advanced in the play, pointing to its relations with certain currents of philosophical thought, like for example existentialism, structuralism, Indian philosophy or the philosophy of Neoplatonism.
12

The Paths of Early Pluralism. Polish Aestheticians between Eras

100%
Kuczyńska A.
Dialogue and Universalism
|
2018
|
issue 1
125-136
EN
Early artistic and aesthetic pluralism is not an accidental phenomenon in Polish aesthetic theories. This article shows its nineteenth and twentieth century origins and various theoretical considerations, and brings to the foreground the philosophical motifs entangled in the historical events of Poland. Cited documentary material focuses on two selected topics. They are: the philosophized version of history, in particular the multicultural history of aesthetics (Władysław Tatarkiewicz) and the extended categorization of the active site of subjectivity (Roman Ingarden).
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