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A Previously Unknown Repertoire of Alleluia Chants from the 1518 Graduale Cassoviense (Clmae 172a, 172b)

100%
Adamko R.
Roczniki Humanistyczne
|
2020
|
vol. 68
|
issue 12
25-43
EN
The Graduale Cassoviense  is a late medieval musical-liturgical manuscript. Apart from the standard Gregorian repertoire, it also contains original local chants. Moreover, it also includes several alleluia chants that-so far-have not been found in any other sources or reported in the existing databases. A mutual comparison of these chants (as well as their comparison with other repertoires) provides a chance to show their genetic connections and conditionality. The repertoire shows a late medieval explosion of local musical and poetic production in the territory of Central and Eastern Europe. Nevertheless, this production shows different aesthetical bases and rules than the typical Gregorian ones. For such reasons, we can define it as a post-Gregorian work.
PL
Nieznany dotąd repertuar śpiewów allelujatycznych Graduału z Koszyc z 1518 roku (clmae 172a, 172b) Koszycki Graduał to późnośredniowieczny rękopis muzyczno-liturgiczny, który oprócz standardowego repertuaru gregoriańskiego zawiera także oryginalne śpiewy lokalne. W tym manuskrypcie jest kilka śpiewów allelujatycznych, które nie zostały jeszcze zidentyfikowane w innych źródłach i nie są zarejestrowane w istniejących bazach opublikowanych lub elektronicznych. Porównanie tych śpiewów ze sobą oraz z innym repertuarem daje możliwość wskazania ich kontekstu genetycznego i uwarunkowań. Repertuar ten jest świadectwem eksplozji muzycznej i poetyckiej twórczości lokalnej późnego średniowiecza w Europie Środkowej i Wschodniej. Twórczość ta wykazuje jednak inne niż gregoriańskie założenia estetyczne, dlatego można ją określić jako postgregoriańską.
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Budownictwo organowe na Słowacji po roku 2000

100%
Adamko R.
Folia Organologica. International yearbook of organ and organ music
|
2023
|
issue 1
7-21
EN
A total of 60 organs were built in Slovakia after 2000, including 10 positives, 13 smaller one-manual instruments, 30 two-manual instruments, 6 three-manual instruments and one four-manual instrument. In addition to Slovak and Czech organ-builders, other foreign companies became contractors for these installations, and brought a new level of quality, as they followed the most modern trends in organ-building to a much greater extent. Some Slovak companies have also moved in this direction. However, anachronistic approaches can also be noted, especially among the older generation of Slovak organ builders. The tonal concept of many new instruments is aimed at creating versatility. In recent years, however, there has been an emerging trend to create stylistically distinct dispositions.
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