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EN
Tabloids with their tendency to emphasize a sensational approach to the issues; to project a common, simplified and highly anthropocentric worldview; to construct communicative scenarios based on division we–they and social myths nowadays more and more often raise issues connected with ecology. However, the manner of their presentation differs entirely from the communicative standards required in ecological (environmental) discourse. The aim of this paper is to present the communication collision which arises as a result of the clash of the common, and the environmental projection of the reality, and its consequences to the identity of environmental discourse, as well as the influence on the formation of a common ecological awareness. This research was based on the Critical Discourse Analysis methodology with reference to the critical trend of ecolinguistics and used analyzed material from 2008 and 2009 editions of the tabloid “Fakt.”
EN
The paper concerns mass public protests of women that took place in 2016–2017 in Poland. Its attempt is to present the pieces of feminist art referring to those events. Discursive analysis is focused on the cooperation of two seemingly distant discourses - street protests and arts - in creating a representation of the collective experience of women in cultural memory. Several examples of artistic visualizations, vocalizations and verbalizations from 2017–2018 were selected for the presentation.
PL
Artykuł dotyczy masowych protestów publicznych kobiet, które odbyły się w latach 2016–2017 w Polsce. Zawiera próbę zaprezentowana prac artystycznych z kręgu sztuki feministycznej nawiązujących do tych wydarzeń. Analiza dyskursywna dotyczy kooperacji dwóch oddalonych od siebie na pozór dyskursów - protestów ulicznych i artystycznego - w tworzeniu reprezentacji doświadczenia zbiorowego kobiet w pamięci kulturowej. Wybrano kilka przykładów artystycznych wizualizacji, wokalizacji i werbalizacji z lat 2017–2018.
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