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CZEGO NIE MÓWI SARA BRAGA? PRÓBA PSYCHOANALITYCZNEJ INTERPRETACJI NOWELI STEFANA GRABIŃSKIEGO PT. W DOMU SARY

100%
Barski K.
Świat Tekstów. Rocznik Słupski
|
2019
|
vol. 17
199-210
PL
W niniejszym tekście autor stara się zrealizować dwa postawione sobie cele: po pierwsze, możliwie wyczerpująco zinterpretować nowelę Stefana Grabińskiego pt. W domu Sary, klasycznie analizując wszystkie występujące w niej motywy tak, by do zebranych wniosków innych interpretatorów dołożyć także swoje koncepcje. Stanowić ma to wszystko tło – punkt wyjścia – do realizacji celu drugiego: próby psychoanalitycznej interpretacji fabuły utworu, a w szczególności postaci tytułowej Sary. Zestawia wreszcie poczynioną w duchu Lacana psychoanalizę z faktami z biografii autora, by ocenić słuszność wysnutych przez siebie wniosków.
EN
In this article author attempts to realise two chosen by him objectives: firstly, to interpret a short story by Stefan Grabiński, W domu Sary, as comprehensively as it is possible, conventionally analising all performing there themes, so he will be able to add his concepts to gathered conclusions of other interpretators. It is a background – starting point – for realising second goal: try of psychoanalysis interpretation of the plot, and especially the title figure, Sara. Eventually, he balances psychoanalysis made in spirit of Lacan with facts from biography of writer, to measure validity of drawn conclusions.
2

Świat mały, ciasny… ale czy własny? Próba interpretacji jednego utworu Krystyny Miłobędzkiej

100%
Barski K.
Prace Literaturoznawcze
|
2020
|
issue 8
45-56
EN
Although dwanaście wierszy w kolorze by Krystyna Miłobędzka was released a few years ago, in 2012, it has not provoked much discussion. This article is a cautious attempt to interpret oneof these poems in the context of the whole collection. It emphasizes certain issues addressed therein, such as man’s separation from the world, the transience of life and the problem of internal conflict.
3

Black metal okiem filologa – próba językoznawczego zdefiniowania pojęcia

100%
Barski K.
Kwartalnik Młodych Muzykologów UJ
|
2019
|
issue 4(43)
131–150
EN
The main purpose of the article is to present a new definition of an extreme music genre, namely black metal, based on the linguistic theory of prototypes. This necessity eventuates from its expansion, as a result of which the genre (specifically: its forms) is blowing up from within. In the face of diversity of black metal songs and the fact that all of traditional black metal’s main features could be invalidated by the opposing work of one of contemporary bands, a new, more capacious model of a definition is needed. The presented model is a prototypical categorisation derived from a postmodern linguistic paradigm.
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