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Život kao artefakt: Matoševo autorstvo. Povodom knjige Dubravke Oraić Tolić Čitanja Matoša

100%
Protrka Štimec M.
Poznańskie Studia Slawistyczne
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2014
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issue 7
EN
Paper deals with a conception of Antun Gustav Matoš authorship, regarding his own definition of his life as a work of art. Performing his authorship in a variety of literary texts, letters and notices, he lived in extremes, being flaneur, dandy and a bohem, world traveler and a nationalist ideologist, what influenced reception of his work until recent period. Critical and historiographic, as much as other literary works related to AGM follow this „author-centered” positions regarding his life as a work of art, as much as his literary texts as a reflection of his life. Latest Croatian „Matosiana” book, Dubravka Oraić Tolić̕ Reading Matoš (Čitanja Matoša, 2013), attests some traditional critical assumptions regarding authorship of this canonical writer end expands them in a new context. Different theories of literary canon formation, especially those grounded on feminist or psychoanalytical approach, call in question usual strategies in creation and understanding AGMs authorship, aestheticism and anti-modernism.
2
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Književnost i revolucija kao nasljeđe avangarde. Tribina na Filozofskom fakultetu u Zagrebu

100%
Protrka Štimec M.
Poznańskie Studia Slawistyczne
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2020
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issue 18
321-326
EN
The text summarizes and reviews the round table organized on the 19th September 2019 at the Faculty of Humanities and Social Sciences in Zagreb with the main goal to investigate the methodological and thematic approaches to the avant-garde related to the concept of revolution. The scientists from Zagreb and Belgrade, Tatjana Jukić, Predrag Brebanović, Danijela Lugarić and Branislav Oblučar, presented their contributions to debate around the above-mentioned themes. Literature as well as revolution were examined in the theoretical and historical context of the avant-garde. Public debate showed that these issues have been still sparking vivid interest in the academic, artistic and intellectual world. The round table was organized as part of the project Literary Revolutions established by the Croatian science foundation 2018-017020.
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„Tijelo pamćenja je pčela koja me bode.“ Emancipatorne prakse ženskog pisma 80-ih

63%
Protrka Štimec M., Dakić M.
Poznańskie Studia Slawistyczne
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2019
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issue 16
243-255
EN
The book of essays Smrtni grijesi feminizma (The Deadly Sins of Feminism), written by Slavenka Drakulić, and Irena Vrkljan’s novel Svila, škare (The Silk, the Shears), both published in 1984, became the samples of feminist activism and the poetics of l’écriture féminine in Croatian literature. Considering their generic aspects and their narrative strategies focused on revealing the conflict between public/historical/political and personal/everyday/trivial, in our paper we will discuss Vrkljan’s novel as outstanding example of the emancipatory changes in the cultural field of the 1980’s. “Trivial as political” in Slavenka Drakulić’s writing, articulated through Irena Vrkljan’s autobiographical narrative, incites the emancipatory power of l’écriture féminine that simultaneously reflects the Other in itself, produces its own difference and writes without inscribing itself. This type of women’s writing, as previously defined by Hélène Cixous, is presented in Irena Vrkljan’s text as writing its own life that is “always in-between” and that undermines declared democratic values as much as the politics of literature, as understood by Jacques Rancière. Revealing discordances between poetic and social hierarchies, women’s writing makes changes in the partition of the visible and the sayable, in the intertwining of being and writing, body and words.
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