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  1. 4 Cahiers ERTA

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  1. 4 Ziółkowski S.

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  1. 1 2023

  2. 1 2022

  3. 2 2019

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Nuances expressionnistes dans "La Folle" de Chaillot de Giraudoux

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Ziółkowski S.
Cahiers ERTA
|
2022
|
issue 31
112-130
EN
The aim of this paper is to highlight the use of some expressionist motifs and patterns in The Madwoman of Chaillot [La Folle de Chaillot] by Giraudoux. In the analysed drama we can see realisation of such expressionist process as antinaturalistic desobjectivization of the world, developed monologism, social middle-class revolt, rehabilitation of a marginal protagonist, abstraction, antinaturalism, or subjectivism inducing the “irradiation” of the author’s I.
2
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La pièce climatique d’Henri-­René Lenormand ou un désarroi ontologique

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Ziółkowski S.
Cahiers ERTA
|
2019
|
issue 20
125-140
EN
The aim of this paper is to analyse the climatic plays by Henri‐René Lenomand (1882‐1951), and to show how difficult climatic conditions shown in his plays influence the behaviour and the attitude of the characters. In the paper different motifs are taken into consideration : fog (and, therefore, the humidity of the climate), the tropical climate in general and the tropical wind called lesimoun. In Lenormand’s plays climate is not just a secondary motif, devoid of significance, but an element which conditions the atmosphere of those plays, engenders a deep melancholy or awakens hidden and repressed instincts of the characters. The climate emphasises thus a deep existential pessimism and the tragic of an individual lost in a hostile and incomprehensible world.
FR
The aim of this paper is to analyse the climatic plays by Henri‐René Lenormand (1882‐1951), and to show how difficult climatic conditions shown in his plays influence the behaviour and the attitude of the characters. In the paper different motifs are taken into consideration : fog (and, therefore, the humidity of the climate), the tropical climate in general and the tropical wind called lesimoun. In Lenormand’s plays climate is not just a secondary motif, devoid of significance, but an element which conditions the atmosphere of those plays, engenders a deep melancholy or awakens hidden and repressed instincts of the characters. The climate emphasises thus a deep existential pessimism and the tragic of an individual lost in a hostile and incomprehensible world.
3
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Origines pré­symbolistes de l’expressionnisme dramatique : le cas de Gérard de Nerval

100%
Ziółkowski S.
Cahiers ERTA
|
2019
|
issue 17
117-137
EN
The aim of the article is to show that some motifs and concepts which can be found in the expressionist dramas – emerged in the early part of the XXth century – have already been explored by Gérard de Nerval (1808‐ 1855) during the last years of his life. The paper analyses in particular the last – and unfinished – Nerval’s récit entitled Aurélia in which analogies with some techniques used by expressionist authors such as the exploration of the universe of dreams and soul or the research of the true identity of man are more than surprising.
4
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Pour le décryptage de traces expressionnistes dans l’œuvre d’Isidore Ducasse

100%
Ziółkowski S.
Cahiers ERTA
|
2023
|
issue 34
227-245
EN
This paper aims to highlight the resemblances existing between the poetic art by Isidor Ducasse (Lautréamont) and the poetic and aesthetic realisations of some expressionist authors. We have mainly analysed the concept of antagonism which seems to be a cardinal component of both the Lautréamont’s poetics and most expressionist works. Another part of our analysis is dedicated to the hypertrophy of the author’s I instance, emblematic in the Lautréamont’s work, reminding the expressionist principle of irradiation of the author’s I. Furthermore, we have analysed the principle of exaggeration, so much visible in Chants de Maldoror. It aims an antinaturalistic derealisation of the poetic universe as well as a caricatured painting of the political and sociological reality. All those aspects enable some sociocritical participation of the literary work in a changing world.
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