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EN
The present article treats “the phenomenon of Amália Rodrigues” in the perspective of religiousness of the Fado genre. The analysis of the fadista’s religious attitude is based on Amália’s image created by Vítor Pavão dos Santos in his book entitled Amália – Uma Biografia and presents some fundamental aspects of her devotion. The issues include: religion/catholicism, God, the Church, morality, religious practices, God’s Mother or freedom versus fatalism. The analysis attempts to discover concrete manifestations of the above listed issues and differentiate between what is typically Portuguese and what is specifically Amalian.
EN
The present article is an attempt to analyse this Portuguese-Polish musical phenomenon using Daniel Gouveia’s concepts of export and import fado. It also shows the crucial influence of Amalia Rodrigues’s musical achievements on the character of contemporary fado.
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