Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 5

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Instytucje muzyczne w starożytnych Chinach

100%
Kupś H.
Studia Azjatystyczne
|
2017
|
issue 3
105-122
PL
Since mythological times, music was considered to be a vital part of Chinese culture. Its very high social standing, deeply rooted in Confucian philosophy, resulted in the abundance of musical administration, for example, the first known musical institution was The Great Office of Music (M Dàsiyuè)of the Zhou dynasty which was re sponsible for teaching ritual and music; The Music Bureau (M Yuèfu)of the Qin and Han dynasty that collected and edited musical pieces, and numerous agencies under court of Tang or its Shrine of Imperial Sacrifices (Tàichângsî) managing various tasks, from education to musical performances. In the Song dynasty, musical offices followed the tradition of their predecessors, but on a much smaller scale. The article aims to describe musical institutions of the ancient Chinese court and determine whether they can be described as a musical bureaucracy. The paper is divided into three main parts: the first outlines the term “bureaucracy” in accordance to both lexical and Max Weber’s definitions; the second presents the main offices that dealt with music and its evolution; the third part functions as the conclusion, the author compares the main characteristic of musical agencies with the meaning of the term bureaucracy.
2
Publication available in full text mode
Content available

Spojrzenie na chińską sztukę abstrakcyjnego malowania tuszem [recenzja książki Breaking the Ink: Abstract Ink Art in Mainland China]

100%
Kupś H.
Nowa Polityka Wschodnia
|
2021
|
vol. 3(30)
203-207
3
Publication available in full text mode
Content available

Mao Zedong’s Bakhtinian laughter The Chinese pop avant-garde and its origins

63%
Szatkowski M., Kupś H.
Art of the Orient
|
2021
|
vol. 10
25-41
4
Publication available in full text mode
Content available

Mao Zedong’s Bakhtinian laughter The Chinese pop avant-garde and its origins

63%
Szatkowski M., Kupś H.
Art of the Orient
|
2021
|
vol. 10
62-78
5
Publication available in full text mode
Content available

Tonalność języka w pieśni na podstawie utworów ludu Sui

63%
Kupś H., Burkiewicz K.
Investigationes Linguisticae
|
2017
|
vol. 36
24-40
EN
This article aims at describing the realization of lexical tones in songs of Sui people. The main focus for research are the drinking and mountain songs, a part of Sui’s abundant oral literature, most commonly used during traditional festivities and social gatherings. The paper starts w ith the presentation of the state of current research and the description of Sui language and music. What follows is analysis of four Sui song s and conclusions. The methodology of the article is mostly based upon previous accomplishments, in eg. Chan 1987 and Wong & Diehl 2002.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.