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Słuchać i pisać. O muzyczności wybranych utworów Ryszarda Kapuścińskiego

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Wiśniewska Z.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

2016

issue 5 "Reportaż literacki. Pogranicza"

121-140

The subject of this article is musicality in selected reportages and one poem by Ryszard Kapuściński. In the introduction there are few words about history of coexistence between music and literature. I stick to the point of view represented by Michał Głowiński, based on his article: „Literary music – musicality of literature”. Then I do a detailed analysis of selected works, where the musicality is clearly visible. The first of these reportages – Wymarsz piątej kolumny – treats about two German women looking for their home after war. Kapuściński presents them with accompaniment of unpleasant, war music, which is the main substance in his reportage. Lumumba is a text about the African leader Patrice Lumumba. He became famous, because he fought with the Belgian regime. In this reportage the musicality is visible in a description of a reconstruction of the recording, in which the politician gives a speech. I also describe a poem about Louis Armstrong trumpet. This poem tells about Kapuściński’s impressions after the Armstrong concert in Chartum in 1960. At the end of my article, I sum up my interpretations.

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1 Jednak Książki. Gdańskie Czasopismo Humanistyczne

1 Wiśniewska Z.

1 2016

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Słuchać i pisać. O muzyczności wybranych utworów Ryszarda Kapuścińskiego