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Rękopis „Mszy D-dur” Franza Danziego ze zbiorów muzykaliów gidelskich

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Kusz D., Karcz B., Tyrała R., Zając A., Delimat W., Janicki J. J., Malik J., Sterczewska L., UPJPII i., Pasek W., Karcz B., Malik J., Sterczewska L., UPJPII i., Pasek W.
Pro Musica Sacra
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2016
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vol. 14
EN
The article concerns a manuscript of a Mass by the German composer Franz Danzi (1763–1826) that is part of the Gidle musical collections stored in the Archives of the Polish Province of the Dominican Order in Krakow. In the introduction, the article presents a brief characterization of the surviving musical manuscripts from Gidle. It moves on to consider the figure of the composer, touching on his biography and a description of his artistic activity as an instrumentalist and composer. The rest of this article describes the surviving manuscript of the Mass written by this composer, including descriptions of the present state of the manuscript, of preserved orchestral and choral parts, and of notes made on the manuscript by the copyist and conductors. The last section is a brief analysis of all the parts of the Mass cycle, with reference to its formal construction.
PL
Artykuł dotyczy rękopisu Mszy niemieckiego kompozytora Franza Danziego (1763–1826), wchodzącej w skład muzykaliów gidelskich przechowywanych w Archiwum Polskiej Prowincji Dominikanów w Krakowie.We wstępie artykułu dokonano krótkiej charakterystyki zachowanych muzycznych rękopisów gidelskich. Następnie przedstawiono sylwetkę kompozytora, jego życiorys, działalność artystyczną jako instrumentalisty oraz kompozytora.W dalszej części artykułu opisano zachowany rękopis Mszy niemieckiego kompozytora – stan manuskryptu, zachowane głosy orkiestrowe i chóralne, notatki sporządzone na rękopisie przez kopistę oraz kapelmistrzów.Ostatni podrozdział jest krótką analizą wszystkich części cyklu mszalnego pod względem ich budowy formalnej.
2
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Muzykalia gidelskie w ujęciu historycznym, dydaktycznym i artystycznym

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Kusz D., Karcz B., Tyrała R., Zając A., Delimat W., Janicki J. J., Malik J., Sterczewska L., UPJPII i., Pasek W., Karcz B., Malik J., Sterczewska L., UPJPII i., Pasek W.
Pro Musica Sacra
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2013
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vol. 11
EN
This article concerns archival musical manuscripts which belonged to a musical ensemble active in the Dominican Priory in Gidle (Poland) during the years 1615 to 1915.First, the collection of manuscripts is briefly presented, with special attention to quantity, condition and typology. The oldest preserved compositions from the period 1754 to 1799 are described and their authors identified.In the second part, the article demonstrates how the study of this collection can contribute to knowledge of late Classical and early Romantic music. An analysis of the manuscript Missa solemnis by the French composer François-Adrien Boieldieu serves as a case study. This musical composition has not been listed in catalogues of Boieldieu’s works.The third part of the article focuses on the question of how archival works of music can be adapted for contemporary liturgy and included in the repertoires of choirs and musical ensembles.
PL
This article concerns archival musical manuscripts which belonged to a musical ensemble active in the Dominican Priory in Gidle (Poland) during the years 1615 to 1915.First, the collection of manuscripts is briefly presented, with special attention to quantity, condition and typology. The oldest preserved compositions from the period 1754 to 1799 are described and their authors identified.In the second part, the article demonstrates how the study of this collection can contribute to knowledge of late Classical and early Romantic music. An analysis of the manuscript Missa solemnis by the French composer François-Adrien Boieldieu serves as a case study. This musical composition has not been listed in catalogues of Boieldieu’s works.The third part of the article focuses on the question of how archival works of music can be adapted for contemporary liturgy and included in the repertoires of choirs and musical ensembles.
3
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Feliks Nowowiejski, „Quo vadis” – recenzja płyty

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Kusz D., Karcz B., Tyrała R., Zając A., Delimat W., Janicki J. J., Malik J., Sterczewska L., UPJPII i., Pasek W., Karcz B., Malik J., Sterczewska L., UPJPII i., Pasek W.
Pro Musica Sacra
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2017
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vol. 15
4
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Dyplomy licencjackie i magisterskie Międzyuczelnianego Instytutu Muzyki Kościelnej w Krakowie w roku akademickim 2017/2018

63%
Kopińska A., Kusz D., Karcz B., Tyrała R., Zając A., Delimat W., Janicki J. J., Malik J., Sterczewska L., UPJPII i., Pasek W., Karcz B., Malik J., Sterczewska L., UPJPII i., Pasek W.
Pro Musica Sacra
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2018
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vol. 16
5
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Komunikat z XIV Dni Muzyki Kościelnej w Archidiecezji Krakowskiej

51%
Kusz D.
Pro Musica Sacra
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2019
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vol. 17
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