Search results - CEJSH

1

Nieznany wiersz Adama Mickiewicza? Rękopis tekstów poetyckich z pierwszej połowy XIX wieku w Bibliotece Poznańskiego Towarzystwa Przyjaciół Nauk. Komunikat

100%

Pietrowicz J.

Poznańskie Studia Polonistyczne. Seria Literacka

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2010

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issue 17

297-307

EN

The Library of the Poznań Society of Friends of Arts and Sciences has been recently enriched by the accession of the manuscript “Poetical texts from the first half of the nineteenth century”. The manuscript includes a number of patriotic poems put down in the manuscript between 1848-1849. The article provides information on the physical description of the manuscript item (its present shelf number being: rkp. 2112) and a detailed list of its contents. Individual works have been listed in alphabetical order according to the names of the authors, with annotations concerning first editions. The bulk of the poems included in the manuscript were published prior to their inclusion in the manuscript, some of them after the year 1849. At the present stage of the investigation, some of the poems have not been confirmed to have been published earlier. An anonumous 12-verse poem without a title, attached to the communique at full length, has been identified by the author of the article as a poem whose last four verses were published in 1881 in the book Kraków - Zagrzebiowi under the title W albumie księcia Golicyna by Adam Mickiewicz. The article is intended to stimulate those engaged in research of the history of literature in further investigations concerning the said collection of poems, in particular the last mentioned text.

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Muzejní zlomek s opisem Evangelia sv. Matouše s homiliemi

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Voleková K.

Listy filologické (Folia philologica)

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2017

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vol. 140

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issue 1-2

247-257

EN

The article presents a new found Old Czech manuscript fragment of the Gospel of Matthew with Sermons (Evangelium sv. Matouše s homiliemi) from the third quarter of the 14th century (Prague, National Museum Library, shelf mark 1 D a 2/18b). The translation of the Gospel of Matthew, accompanied by sermons, had been previously known from a single manuscript (Prague, National Library, shelf mark XVII A 4, the 1370s) and from the paraphrases of the Gospel of Matthew without sermons in the Old Czech biblical manuscripts (Bible drážďanská, Bible litoměřicko-třeboňská, Bible olomoucká). This paper compares the text of the fragment with those biblical sources. The strip from the parchment folio contains only short passages from Matthew 8 and 9, which are divided into pericopes similarly to the Evangelium sv. Matouše s homiliemi, however, no sermons are included. Therefore this fragment poses new questions about the origin and history of the Gospel of Matthew with Sermons.

3

‘We Thank the Lord God’. A Hausa Poem from the IASAR/160 Manuscript

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Piłaszewicz S.

Rocznik Orientalistyczny

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vol. Rocznik Orientalistyczny, T. 39, Z. 2 (1978)

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Osservazioni sulla grammatica della lingua italiana del filologo croato Dragutin Antun Parčić

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Deželjin V.

Kwartalnik Neofilologiczny

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2019

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issue 2

371-377

EN

Notes about a handbook of Italian grammar by a Croatian philologist Dragutin Antun Parčić – A handbook of Italian grammar, written in Croatian by Croatian philologist Parčić, confirms that in the past educated Croatian-speaking people were bilingual and at the same time it proves that lower classes aimed to study Italian as well. The paper analyses the functionality and appropriateness of topics presented in the Parčić manuscript because it is obvious that the author was keen to help his Croatian-speaking students in the acquisition of Italian.

5

El Kitāb Mīzān al-Ṭabīb de Ibn al-Bayṭār. Descripción del unico manuscrito conservado y contenido de la obra

93%

Cabo-González A. M.

Folia Orientalia

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2019

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vol. 56

95-112

EN

The pharmacologist of al-Andalus, born in Malaga and died in Damascus, Ibn al-Bayṭār (576/1180 or 583/1187–646/1248) composed a dozen works among which we must highlight: The Kitāb Mīzān al-Ṭabīb. The work presented here studies the only manuscript of this work that has been preserved, number 351 or Vet. 58 of the Universitetsbibliotek of Uppsala (Sweden) and describes the content of the same, a medical-pharmacological dissertation, divided into eighty chapters, each of which is dedicated to one or more diseases, going through all the organs of the body, starting with the head and ending with the feet.

6

Rukopisy předbělohorského období (1526-1620) signatury DA - DE v knihovně Královské kanonie premonstrátů na Strahově

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Tošnerová M.

Studie o rukopisech (Manuscript Studies)

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2005

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vol. 35

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issue 1

115-156

EN

The manuscript collection of the Royal Canonry of Premonstratensians Library in Strahov, Prague, currently houses over three thousand manuscripts (plus almost 700 manuscript fragments). A catalogue by Bohumil Ryba helps us to find our bearings in the collection for shelf marks DF–DU. Shelf marks DA–DE have not to date been made available for printing. This study provides an inventory of early modern manuscripts compiled between 1526 and 1620 with shelf mark DA–DE.

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Nejmenší česky psaný rukopis Starého zákona z tzv. Valdštejnské sbírky

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Pražák T.

Studie o rukopisech (Manuscript Studies)

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2017

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vol. 47

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issue 1

125-132

EN

The paper draws attention to a manuscript of a Czech translation of the Old Testament from the 15th century from the estate of Litoměřice Bishop Emanuel Ernest of Waldstein (1716-1789), kept today in the Waldstein Collection in the State Regional Archives in Litoměřice.

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Kształt «Zbójców» Schillera na scenach polskich XIX wieku – przekład Jana Nepomucena Kamińskiego

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Dybizbański M.

Pamiętnik Teatralny

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2020

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vol. 69

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issue 4(276)

105-129

PL

In the Lviv theater headed by Jan Nepomucen Kamiński, Friedrich Schiller’s The Robbers was part of a theater campaign of Romanticism; even though it was cautious due to censorship and long-winded, the Lviv entrepreneur produced an important staging not only considering the selection of the play itself, but also in staging choices and especially in acting ones. Kamiński’s 1817 (or earlier) translation determined the shape of the German Sturm und Drang masterpiece for Polish theaters for many years. It also influenced the way later translations were staged. A copy preserved in the Lviv Theater Library in Katowice dates from 1864. Although Kamiński’s translation was based on an abridged and revised German version of the drama, prepared in 1781 for a theater in Mannheim and published there, the analyzed copy also contains references suggesting the use of the canonical edition, known from the original printing of the drama and its subsequent editions authorized by Schiller. This late copy, bearing the traces of numerous interventions, though some were probably obliterated by the copyist, suggests original staging solutions that may have been made by the first translator and stage adaptor himself.

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Wierszowana „relacyja” o śmierci Krzysztofa Radziwiłła (1585–1640) z sylwy Andrzeja Lubienieckiego

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Jarczykowa M.

Terminus

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2017

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vol. 19

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issue 4 (45)

797-815

EN

The object of this edition is an anonymous verse Relacyja o żałosnym zejściu Oświeconego Książęcia Krzysztofa Radziwiłła, wojew[ody] wileńs[kieg]o, wielkiego hetmana W[ielkiego] Ks[ięstwa] Litewskie[g]o Anno D[omi]ni 164[0] sub persona Amin[tasa] i Dafn[isa] rozmawiających [An account of the lamentable death of His Grace Prince Krzysztof Radziwiłł, the Vilinian Voivode, Great Hetman of the Grand Duchy of Lithuania Anno Domini 1640 given by the persons of Amintas and Dafnis talking with each other] preserved in a home chronicle (so-called sylwa) of Andrzej Lubieniecki, today kept in the collection of the Central Library of Rotterdam (manuscript no. 527). With regard to its genre qualities, the work may be ascribed to funeral pastorals due to its composition, versification and the names of characters referring to Virgil’s bucolics. One of the characters is named Melibeus, which refers to the 1st eclogue of Maron, in which a shepherd going by the same name bids farewell before his departure for banishment, which may have been a parallel of the Hetman’s death. The loss of the Vilnian Voivode is discussed and mourned by Amintas and Dafnis, who were famous in the antique bucolics for their impressive poetical talent. The author freely uses pastoral and mythological motives, joins pagan and Christian religious plots and refers to specific realities and personal details, as well as precisely indicates the geographical location of the shepherds: near to Birż, the ancestral residence of the Radziwiłł family, were Dafnis learned about Radziwiłł’s death at a market. The work’s title announces the presentation of the death of the Vilnian Voivode, but information about this event are limited only to the time of Krzysztof Radziwiłł’s death and a short mention of the reaction of his closest relatives. The main part of the work is carmen amoebaeum, that is a song performed alternately by shepherds introduced in the title. The subsequent parts of the song commemorate specific merits of Krzysztof Radziwiłł, chiefly as an engaged patron of Evangelical Protestants, funding Protestant meetinghouses and schools, and caring of his fellow-believers. The main reason of the mourning, however, was the loss of an active advocate of equality of rights irrespectively of creed, who fought for liberties for men of different religions in the Polish-Lithuanian Commonwealth. The Voivode was also praised for his efforts to facilitate peace, which harmonised well with values emphasised in the bucolics. Apart from the typical pastoral figures, Amintas’ song also quotes mythological characters and fictional motives. The Hetman’s death is here mourned by pagan gods Apollo and Neptune, as well as by Echo and Pan, nymphs, dryads, satyrs, and fauns. Even the nature laments his departure. Dafnis’ song depicts Radziwiłł’s deification on Olympus and provides an account of the meeting of gods, during which they welcome the deceased Hetman in their circle. In Dafnis’ opinion, Radziwiłł deserved this honour most of all due to his religious demeanour, which is confirmed by Piety introduced in the pagan otherworld. The last part of the song presents Melibeus, looking down on the Earth and the relatives he left. The vision of eternal happiness of Radziwiłł is supposed to be a consolation for his grief stricken family and fellow countrymen. In the conclusion of the pastoral (conclusio), Amintas recognizes the agon of the shepherds to be Dafnis’ victory.

10

Związki słowno-muzyczne w Litaniae in D Jacka Szczurowskiego

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Szarysz K.

Kwartalnik Młodych Muzykologów UJ

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2013

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issue 9(19)

EN

The purpose of this paper is to present and to analyse Litaniae in D by Jacek Szczurowski – a Polish composer, cleric, conductor, and teacher. His work, previously unknown and unpublished, has been preserved in a unique musical manuscript from the collection of the Piarists, now stored at the State Archives in Modra, near Bratislava. This article includes information about the composer, the state of research on his works and a description of the litaniae as a genre in general. Litaniae in D by Jacek Szczurowski is a work which deserves wider attention from musicologists. The composer divided his Litaniae into nine parts: Kyrie eleison, Pater de caelis, Mater Christi, Virgo prudentissima, Speculum iustitiae, Rosa mystica, Salus infirmorum, Regina Angelorum, Agnus Dei and each of these parts has its own character compatible with the lyrics. The piece uses the basic and typical techniques of those times, thanks to its interesting concept is distinguished by the form and the development of the words. Szczurowski combined music and lyrics of litaniae in a great manner, e.g. by repetition of important words (for example miserere), the way Szczurowski uses rests is also significant, as they separate syllables and imitate crying. The most important thing, however, is that he uses rhetoric, and this shows that he was not an average composer.

11

81%

Opalińska M.

Kwartalnik Neofilologiczny

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2016

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issue 3

269-280

EN

This article presents selected aspects of the anonymous Old English epic Beowulf in which the elements of the world of fantasy are intertwined with historical episodes, and Christian values co-occur with the images of pagan rites. Written in the vernacular and to the rhythm of alliterative metre Beowulf is an example of the highest artistic achievement. The anonymous poet skillfully depicted the harsh Northern world shaped by the Christian culture. Although Beowulf has been studied since the beginning of the 19th century many fundamental issues are still unresolved. With the focus on the source text and its manuscript context some of the puzzles may yet be unravelled.

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Sylwa of Aleksander Jastkowski, a Przemyśl land judge from the second half of the 17th century

81%

Matwijów M., Kisilowska-Szurmińska M.

Z Badań nad Książką i Księgozbiorami Historycznymi

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2024

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vol. 18

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issue 2

285-312

EN

Sylvias (from the Latin silva rerum, i.e. forest of things) belong to the category of domestic books manuscript books, created in Old Polish times (17th-18th century) mainly in the noble community gentry circles. They are considered a valued source for historical and literary research due to the historical and literary research due to the variety of materials they contain, collected by their authors without a specific plan according to their tastes possibilities and needs. The author of one of the largest works of this kind was Aleksander Jastkowski (c. 1625/30– c. 1691), a nobleman from the Przemyśl land Ruthenian Voivodeship, a judge of the Przemyśl lands. His sylva entitled. ‘Compendium omnis activitatis politici et rei economicae ex variis authoribus collectae’ (National Ossolineum Library in Wroclaw, manuscript no. 3554) should be considered a typical example of this type of writing. This sylva was created successively probably for more than half a century mainly by A. Jastkowski, and was completed after his death at the beginning of the 18th century by persons unknown to us. It numbers 594 pages and contains in copies numerous materials, mostly relating to public life at the time (approx. 45% of the total manuscript), such as journalistic writings, correspondence and speeches by dignitaries state dignitaries, the Diary of the Sejm of 1652, records of the Sejmik of the Ruskie Voivodeship in Sądowa and others. In addition, it contains notes by A. Jaskowski concerning his private matters, copies of his and his family’s estate documents, extracts from his and his family’s property documents, excerpts from books he had read, and notes on various fields of knowledge (cultivation of the soil, medicine, Polish and general history, legal and constitutional subjects, etc.), literary works, and notes on the history of Poland etc.), literary works, specimens and examples of occasional letters, materials concerning the private affairs of various individuals.

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