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1
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K Hrubcovu pojetí interkulturního dialogu

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EN
This contribution attempts to show the problematic character of certain assumptions that lie behind Marek Hrubec’s reflections on intercultural dialogue. The problematicity concerns, above all, the question of what are the conditions of the need of such a dialogue and whether it is an adequate reaction to the rising demands of a globalised world. The serious simplifications which this need gives rise to are pointed out.
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K chápání interkulturního dialogu

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EN
The aim of this contribution to the discussion of intercultural dialogue is to point to two diametrically different approaches to the adoption of critical standpoints – between negativism and positive criticism – that is, between the attitude of passivity and the attitude of active courage to do. Because positive criticism – unlike mere negation – enables an opening out of thematic space to new possibilities, it is also capable of transforming the narrowly understood war–peace polarity into reality of a different quality, and, at the same time, to give it a new, so to speak global, meaning. In this way inter-cultural dialogue, not forgetting its reliance on historical contexts and the postulations of its own traditions, achieves its own justification.
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Interkulturní boj o uznání

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EN
This paper is a contribution to the debate on intercultural dialogue, especially among Western, Confucian, and Islamic interpretations, presented in the volume An Intercultural Dialogue on Human Rights: Western, Islamic, and Confucian Perspectives that I edi­ted last year. I stress the issue of mutual recognition among people from varying cultural backgrounds. I reply to Petr Bláha’s polemical analysis of my paper Preconditions of an Intercultural dialogue on Human Rights (which is part of the mentioned volume) and I concentrate on four themes which are the focus of Bláha’s analysis. These are, first, the topic of violence and human aggressivity, second, ahistorical explanation, third, criticism of my four models of cultural, political and other arrangements, and fourth, the macro-regional validity of the acceptance of democracy. I criticize, above all, the way Bláha gives up any attempt to solve the problems connected with violence.
4
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Multiculturalism is the wide social and ideological context for the transcultural and cross cultural relations. The model of intercultural dialogue is an essence of fundamental patterns creating common two direction interactions not only in the symbolic sphere but as well in the field of political and economical bonds among different cultural groups. Intercultural dialogue as the consequence of pluralism in the multicultural societies is not only the form of intercultural communication, it serves also as a structural model of building the citizen democratic society. This model can exist within the appropriate forms of cultural orientations and identities among members multicultural societies. The paper is dealing with the main rules and factors characterizing theoretical model of intercultural dialogue.
EN
This article considers Kathleen Marie Higgins’s theory of musical experience. She examines the features of human perception that enable music’s ability to provoke the sense of a democratic, shared, crosscultural experience. Drawing on philosophy, psychology, anthropology, and ethnomusicology, Higgins provides a new understanding of what it means to be musical.
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The article aims at a synthesis of Polish translations of Ukrainian literature. At the same time, it analyses the cultural dialogue between Poland and Ukraine based on literary exchange. The paper’s methodology consisted of an analysis of existing studies, annotated by the author with a glossary and comments outlining successively described moments in history. The topic is current and represents a specific research gap. Thus, although the article synthesises the existing works, it simultaneously puts forward hypotheses that should be further investigated in the future. The author proposes some publications that impact emerging trends, but also those that were their effect. The analysed period spans the time from after World War I to the present day.
EN
The article is an attempt to analyze and determine problem assertions contained in A. Sen’s essay Human Rights and Asian Values. The essential thesis of the article is that, in his vision of the universality of the values which constitutes the basis of human rights, Sen is a hostage of a typically Western way of thinking. This should lead to a search for an in-depth dialogue with Eastern spiritual traditions, such as Buddhism, for example.
9
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EN
The aim of this article is to point to some problematic aspects of intercultural dialogue between Islam and the West which stem from the general character of the process of globalisation. The right of individual cultures to conceive this general process of modernisation from the point of view of their own cultural perspective brings with it the danger of discrimination in basic normative specifics. For this reason it is necessary to open up potentialities and to seek points of departure for wider inter-normative agreement
EN
We live in a technical age. That is to say, modern societies have adopted technological innovation as a guide-principle. But technique is a perfection without an aim. It can only control its internal operations. It is the eternal return of the identical. Hence, a general feeling of social disorientation and anxiety. Moreover, in a nuclear age such as ours, there is no guarantee of survival for mankind. From a diachronic historical process, we are in a synchronic one. All cultures are to be considered at the same level. The only way out is dialogue, intercultural relations, based on a concept of «cultural co-tradition».
EN
In the various versions of democracy’s orientations around the world nowadays, we can discern cracks, but still not a crucial break from the project of (an) open society. The inner reality of this phenomenon can be deciphered and dealt with in many ways. The two case studies (The Workcenter of Jerzy Grotowski and Thomas Richards as well as Subpoetics International) analysed in the article, present theatre as healing and pedagogical forces, which can save the core of Open Society. Generally speaking, this can be achieved by strengthening intercultural dialogue and empathy while applying strict rules of the craft and technique. The two mentioned theatre-performance groups present high-functioning varieties of open society and also focus on the threats and obstacles which may be encountered in contemporary society. Beyond varied activities, the Workcenter and Subpoetics also carry out educational and workshop-based work connecting people from all paths of life and all around the world, creating an international network, which is both healing and creative. In both cases they are groups producing works of very powerful physiology and intensity, which seek the human truth in troubled times.
EN
In the various versions of democracy’s orientations around the world nowadays, we can discern cracks, but still not a crucial break from the project of (an) open society. The inner reality of this phenomenon can be deciphered and dealt with in many ways. The two case studies (The Workcenter of Jerzy Grotowski and Thomas Richards as well as Subpoetics International) analysed in the article, present theatre as healing and pedagogical forces, which can save the core of Open Society. Generally speaking, this can be achieved by strengthening intercultural dialogue and empathy while applying strict rules of the craft and technique. The two mentioned theatre-performance groups present high-functioning varieties of open society and also focus on the threats and obstacles which may be encountered in contemporary society. Beyond varied activities, the Workcenter and Subpoetics also carry out educational and workshop-based work connecting people from all paths of life and all around the world, creating an international network, which is both healing and creative. In both cases they are groups producing works of very powerful physiology and intensity, which seek the human truth in troubled times.
XX
The article explores the history of the relationship of Volodyslav Fedorovych and Artur Grottger, an almost forgotten page of Ukrainian-Polish intercultural dialogue of the last quarter of the nineteen century. Their friendship undoubtedly had an influence on both of their lives, and it remains an important demonstration of Ukrainian-Polish intercultural and interpersonal dialogue on the border of the two cultures of the two nations. The first of the two aforementioned men was a famous Ukrainian philanthropist, the third head of Prosvita society, a member of the Polish circle in the lower house of the Viennese Parliament. Artur Grottger died at the age of thirty; however, he became a symbol of Polish Romanticism and a champion of the Polish rebellion in January 1863. Volodyslav Fedorovych spent two years in the capital of the Habsburg Monarchy, studying in a privileged educational institution for children of noble families – Collegium Theresianum. At the same time, Volodyslav attended lectures at the University of Vienna. Vienna, one of the cultural capitals of Europe, awakened his interest in paintings and art in general. In Vienna, he met the famous Polish painter Artur Grottger, who was to introduce him later to the Ukrainian painter Kornylo Ustyanovych. Later on, Ustyanovych will become a cult figure in Galicia. The article recounts a story of his cousin Alexandra. Volodyslav was in love with her. She died very young, but Grottger managed to draw a portrait of her.
EN
The article explores the history of the relationship of Volodyslav Fedorovych and Artur Grottger, an almost forgotten page of Ukrainian-Polish intercultural dialogue of the last quarter of the nineteen century. Their friendship undoubtedly had an influence on both of their lives, and it remains an important demonstration of Ukrainian-Polish intercultural and interpersonal dialogue on the border of the two cultures of the two nations. The first of the two aforementioned men was a famous Ukrainian philanthropist, the third head of Prosvita society, a member of the Polish circle in the lower house of the Viennese Parliament. Artur Grottger died at the age of thirty; however, he became a symbol of Polish Romanticism and a champion of the Polish rebellion in January 1863. Volodyslav Fedorovych spent two years in the capital of the Habsburg Monarchy, studying in a privileged educational institution for children of noble families – Collegium Theresianum. At the same time, Volodyslav attended lectures at the University of Vienna. Vienna, one of the cultural capitals of Europe, awakened his interest in paintings and art in general. In Vienna, he met the famous Polish painter Artur Grottger, who was to introduce him later to the Ukrainian painter Kornylo Ustyanovych. Later on, Ustyanovych will become a cult figure in Galicia. The article recounts a story of his cousin Alexandra. Volodyslav was in love with her. She died very young, but Grottger managed to draw a portrait of her.
EN
The research presented in this paper examines the philosophical aspects of multicultural business communication among Asian entrepreneurs. It focuses on how cultural diversity impacts communication practices, trust-building, and adaptive strategies in a dynamic economic environment. The research employs qualitative methods, including in-depth interviews, focus group discussions, and participant observation with entrepreneurs across various Asian countries. The data were meticulously analyzed through coding, categorization, and thematic interpretation to uncover patterns and underlying principles in cross-cultural communication. This research concludes that successful entrepreneurs integrate cultural awareness, relational trust, and adaptability to navigate diverse business environments. Key factors, including language nuances, nonverbal communication, cultural perceptions, and local ethics, significantly impact outcomes. Entrepreneurs who embrace these elements achieve harmony in diversity, while those who neglect them face misunderstandings and conflict. This research provides novel insights into the interplay between culture and commerce, offering theoretical and practical frameworks for fostering mutual understanding and collaboration in Asia’s multicultural business landscape.
EN
Humankind’s natural disposition for social engagement makes the acquisition of in-terrelationships imperative. Life without ideals and values would utterly be brash and garbled like the cacophony of a “broken record.” This paper highlights the centrality of ideals and values within the spectrum of interactions between peoples, and demonstrates that intercultural dialogue is neither possible nor purposeful without some ideals and values acknowledged by all.
EN
Having a better understanding of what worldviews are and how they function may be able to contribute to the resolution of conflicts which arise when people from differ-ent cultures holding different worldviews interact with each other. This paper begins by examining the nature of worldviews and how they might be approached from the perspective of intercultural philosophy. The paper then turns to meta-philosophical questions regarding the disciplinary boundaries, goals, and methods of intercultural philosophy with respect to worldviews. Attention is given to the possibility of adopting a constructivist, dialectical approach to cross-cultural dialogue on worldviews.
EN
The concept of human dialogue as human essence is presented by Michael H. Mitias, a contemporary American philosopher, in his book Human Dialogue (2023), within the framework of the project Towards a Universal Civilization. Analyzing the eternal problems of human life, such as understanding and cooperation, knowledge and conversation, reason and affection, truth and values, human nature and essence, and in general the prospects of humanity, Mitias defends the thesis that humanity, common to our entire human race not as an abstract concept, but as a basic quality, is essentially rational and inexorably dialogic. And conversation is our all-encompassing and all-pervading environment. Mitias’s thoughts, ideas, theses and my interpretation of them as well as inspirations driven from his work are the subject of the present essay.
EN
This paper examines Husserl’s largely overlooked reflections on myth and their implications for his conception(s) of universalism. While Husserl’s “Vienna Lecture” portrays myth as the opposite of the theoretical attitude that defines European rationality, his unpublished manuscripts reveal a more nuanced perspective: myth functions not only as a concealment of truth but also as the cultural matrix enabling the emergence of rationality. On this basis, three forms of universalism can be distinguished in Husserl’s thought: an exclusivist European universalism, a naturalistic intercultural universalism, and a universalism of self-critical openness and hope. I argue that only the third form coheres with Husserl’s broader phenomenology, especially his account of myth as a prefiguration of reason and the regulative role of the idea of God. Universalism thus emerges less as an achieved possession than as a dialogical and teleological task grounded in intercultural exchange, self-critique, and peaceful interaction.
SI
Leta 2015 je v slovenskih prevodih izšlo 15 poljskih knjig, kar je skoraj dvakrat več v primerjavi z letom 2014. Dominirala je proza; glede poezije poljsko leposlovje sta predstavljala dva pesnika različnih generacij: Tadeusz Różewicz, katerega dve zbirki (Profesorjev nožek in Siva zona) prevedla je izkušena prevajalka Jana Unuk ter Justyna Bargielska, mlada poljska avtorica, katere je izbor pesmi z naslovom Serija manjših ran pripravila prevajalka Staša Pavlović. Zanimivo je, da so Slovenci leta 2015 prevedli celo 6 knjig za otroke in mlajše bralce (Onichimowska, Maleszka, Żółtowska -Darska) ter dve knjigi o verskih tematikah (Sestra Faustina Ewe Czaczkowske ter osebni zapiski Janeza Pavla II z let 1962—2003). Popestren izbor, ponudba prevajalcev ter z leta v leto naraščajoče število slovenskih prevodov poljskega leposlovja (ki so jih večinoma izdale zelo prestižne založbe, kot so Beletrina, Družina, Modrijan in Cankarjeva založba) pokazujejo, da se slovenski bralci zanimajo za poljsko kulturo in rade volje berejo poljske knjige.
EN
In 2015, fifteen Polish books were translated into Slovenian, which is almost twice as much when compared to 2014. Prose has been dominant; Polish poetry was represented by two poets of different generations: Tadeusz Różewicz, whose two collections (Profesorjev nožek and Siva Zona) were translated by the experienced translator Jana Unuk. Furthermore, Justyna Bargielska, a young Polish poetess, whose poetry selection entitled Serija manjših ran was prepared by Staša Pavlović. Interestingly, in 2015 Slovenes translated six books for children and young readers (Oni- chimowska, Maleszka, Żółtowska -Darska) and two books on religious topics (Ewa Czaczkowska’s Sestra Faustina and John Paul II’s personal notes from 1962 to 2003). The varied selections, translators’ offerings and the growing number of Slovenian translations of Polish literature (which were mostly published by very prestigious companies such as Beletrina, Družina, Modrijan and Cankarjeva založba) demonstrate that Slovenian readers are interested in Polish culture and interested in reading Polish books.
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