Search results

1

Przyczynek do badań nad aspektem kulturowym Eneidy Iwana Kotlarewskiego w tłumaczeniu Piotra Kuprysia

100%

Czetyrba-Piszczako M.

Acta Polono-Ruthenica

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2017

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issue 22/4

99-110

EN

Piotr Kupryś was the first Polish translator to fully translate two classical works fundamental for Ukrainian literature. These were: Kobzar by Taras Shevchenko and Eneida by Ivan Kotliarevsky. Kotliarevsky’s Eneida is a vivid example of adapting diverse elements of oral folklore culture in modern Ukrainian literature. The article analyses types of translation procedures the translator applied when dealing with cultural context. Generally speaking, Kupryś followed two strategies of rendering cultural elements: domestication – in order to adapt the target text to target readers’ knowledge; as well as foreignisation with explanation – thanks to which he enriched target readers’ knowledge about reality and culture of the source text.

2

(Un) cultural Cats: Multi-dimensional Transition of Felines in Human Society

100%

Łogożna-Wypych K., Okuń-Jaśkowiak A., Głaz A., Kniaź-Hunek L., Bendrat A., Prażmo E., Terejko P., Szczypa P., Czemiel G., Antoszek E., Galant J., Komsta M., Frelik E., Waszkiewicz A., Oleszczuk A., Waszkiewicz A., Okuń-Jaśkowiak A.

New Horizons in English Studies

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2018

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issue 3

EN

The status of cats has changed in both society and literature. In human society and literature. Cats have fought their way to human homes, hearts, and to the centre of interest of various fields of science. In the time of buoyantly developing field of animal studies and Athrozoology, cats have been given a chance to be appreciated and understood. Their transition in both real world and virtual reality has been a multi-layered and complex process yet to be completed.

3

Strategie tłumaczy wobec zjawiska obcości kulturowej w przekładach dwudziestowiecznej prozy nowogreckiej na język polski

100%

Jędraszak N.

Slavia Meridionalis

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2015

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vol. 15

EN

Translation strategies in the face of cultural specificity of the 20th century Modern Greek prose translated into PolishAccording to Werner Koller, there are two main types of translations of texts which are connected to literature and culture. These types are adaptation and transfer. Adaptation is a result of using a translation strategy called domestication which consists in removing from the text all the elements which may seem odd or strange to the target reader and replacing them by some well-known units of the target culture. Transfer is a result of using a strategy called foreignization, that is of introducing to the target text some units characteristic of the source culture which may raise connotations of strangeness and foreignness. The choice of the strategy lies with the translator and depends on his vision of the target reader. The aim of this paper is to analyze translations of three Modern Greek novels into Polish with special attention paid to solutions chosen by the translators in the face of two main translation problems which are results of cultural specificity of the text: lexical problems and allusions to some historical, cultural and social facts as well as to the information these solutions provide on the translators’ vision of the target reader. Strategie tłumaczy wobec zjawiska obcości kulturowej w przekładach dwudziestowiecznej prozy nowogreckiej na język polskiWerner Koller wyróżnia dwa główne rodzaje przekładu tekstów związanych z literaturą i kulturą: adaptację oraz transfer. Adaptacja jest wynikiem użycia strategii tłumaczeniowej zwanej udomowieniem, która polega na usunięciu z tekstu elementów, które czytelnikowi docelowemu mogłyby wydać się obce i zastąpieniu ich dobrze znanymi mu elementami kultury docelowej. Transfer natomiast polega na zastosowaniu strategii zwanej egzotyzacją, tj. wprowadzeniu do tekstu docelowego elementów charakterystycznych dla kultury źródłowej, które mogą u odbiorcy tłumaczenia wywoływać poczucie obcości. Wybór pomiędzy tymi strategiami zależy od tłumacza oraz jego wizji czytelnika docelowego. Przedmiotem tego artykułu jest analiza przekładów trzech wybranych powieści nowogreckich na język polski, ze szczególnym uwzględnieniem rozwiązań zastosowanych przez tłumaczy w obliczu dwóch głównych problemów tłumaczeniowych, które wynikają z kulturowej specyfiki tekstu: problemów leksykalnych oraz odniesień do wydarzeń historycznych i faktów społecznych, jak również wiedzy, którą te rozwiązania dostarczają nam na temat wyobrażeń tłumaczy o czytelnikach docelowych przekładanych tekstów.

4

Warsaw Wild Captive Pisula Stryjek rats (WWCPS) - Establishing a breeding colony of Norway Rat in captivity

100%

Stryjek R., Pisula W.

Polish Psychological Bulletin

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2008

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issue 2

67-70

EN

It is believed that the history of laboratory rat dates back to 1820-ies, which is about 300 generations. This relatively short evolutionary distance, drastically different environment and selective breeding could have caused differences in behaviour between the laboratory rat and his wild counterpart - Norway rat (Rattus norvegicus). The vast majority of research concerning differences between wild and laboratory rats was conducted over 30 years ago. The knowledge acquired as a result of that research seems far from being complete. Over a quarter of a century could have deepened the described differences. Nowadays the change in experimental approach, in favour of low stress conditions, can give a new insight into this problem. This article describes process of establishing a laboratory line of wild Norway rat, which will take part in a broad series of comparative studies. 16 wild rats were trapped in 5 distant parts of Warsaw. Most of wild rats successfully adapted to captive conditions, mating successfully and producing litters, which have survived to adolescence.

5

DOMESTICATING AND MODERNIZING HEART OF DARKNESS

88%

Kujawska-Lis E.

Acta Neophilologica

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2013

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vol. XV/1

61-80

EN

The present paper seeks to analyse the development of the translation series of Joseph Conrad’s Heart of Darkness with emphasis on domesticating and modernising tendencies. To this end, two translations into Polish are compared: Aniela Zagórska’s version published in 1930 and Ireneusz Socha’s modern translation of 2004. Various levels at which domesticating and modernising tendencies can be noticed are considered. It seems that, contrary to current tendencies to foreignize translated texts, the modern version of Heart of Darkness, at least at the linguistic level, may be labelled as the domesticated one in comparison with the earlier translation. Generally, Zagórska tries to reproduce Conrad’s wording in Polish; whereas Socha’s aim, or skopos, seems to be creating the text that reads naturally. The paper shows in what ways the translators’ choices of particular translating strategies and procedures accentuate the deforming tendencies, as defined by Antoine Berman.

6

Zwierzęta pozaludzkie jako podmioty polityki Koncepcja zoopolis i jej krytyka

88%

Gzyra D.

Zoophilologica. Polish Journal of Animal Studies

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2016

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issue 2

253-262

EN

The interests of nonhuman animals within political philosophy have been and are still overlooked and underestimated. Recognition by modern science, and – increasingly – ethics, of the subjectivity and vulnerability of many animals does not extend to recognizing them as anything more than a secondary object of politics. In recent years, however, new concepts have emerged emphasizing the subjectivity and political agency of nonhuman animals. One of them is the concept of zoopolis by Sue Donaldson and Will Kymlicka. It postulates the use of political and legal categories that previously defined only men: citizenship, denizenship and sovereignty. Through citing earlier attempts at politicization of the animal detriment issue, the article presents the major hypothesis of the zoopolis concept and discusses some examples of its previous criticism.

7

Еще раз о трудностях перевода Представления И. Бродского (Е. Чех и А. Берлина)

88%

Бараш О.

Acta Neophilologica

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2016

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issue 18/2

119-128

EN

J. Brodsky’s poem Predstavlenije presents no semantic difficulties for a Russian reader, but attempts to translate it into foreign languages have not always been successful due to a large number of references to Soviet reality and intertextual links found in the text. The present article is devoted to the comparative analysis of three translations of this poem: those done by Thomas Campbell and Alexandra Berlina (both into the English language) as well as one created by Jerzy Czech (into the Polish language).

8

KONTRASTIVE BEHANDLUNG DES SPRACHLICHEN HUMORS: DEUTSCH-ENGLISCH-RUMÄNISCH

88%

Măciucă G.

Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

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2009

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vol. 1

100-113

EN

In an attempt to approach language humour contrastively, the present contribution investigates three German specimens of linguicomedy in terms of humour-generating devices and subsequently submits to the reader various strategies for translating them into English and Romanian, with ample glosses on the difficulties encountered in the process.

9

Translation of Military Register in the Polish Subtitles of American War Movies

88%

Pirus J.

Res Rhetorica

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2015

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vol. 2

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issue 2

52-81

EN

The paper allows a closer look at the problems with translation of military register from English to Polish. The examples taken from four movies depicting the Battle of Mogadishu, Operation Desert Storm and Operation Iraqi Freedom served as a research material to establish which strategy – foreignization or domestication – is more often employed and which gives better results. The discrepancies between Polish and American military register make the task challenging and pose many interesting research questions not only in the fi eld of translation studies but also in cultural and rhetorical studies.

10

Wolność tłumacza w procesie lokalizacji gier wideo na przykładzie Final Fantasy XV

88%

Witczak J.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2024

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vol. 37

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issue 46

380-392

EN

Video game localization is a process that is strongly focused on the target audience. Its aim is to adapt the game content to the linguistic and cultural needs and requirements of the market other than the primary one. A well-made localization cannot negatively affect the gameplay experience and the player’s sense of immersion. Therefore, when translating in-game text, translators can use strategies and techniques known from other types of translations. The aim of this article is to show how the use of transcreation in the localization process can influence the reception of a game. An attempt is made to answer the question of whether the freedom to interfere with the original content, which this translation strategy gives the translator, is justified. For this purpose, the specificity of video game localization is briefly presented, and various concepts and theories from the field of translation theory are used. Final Fantasy XV, released in 2016 by Square Enix, was selected as the subject of the analysis.

11

Egzotyzacja i domestykacja w polskim tłumaczeniu powieści „Harry Potter i Kamień Filozoficzny” J. K. Rowling

88%

Maras M.

Forum Filologiczne Ateneum

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2018

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vol. 6

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issue 1

87-99

EN

The aim of the paper is to answer the question what was the Andrzej Polkowski’s intent of using domestication and foreignisation strategies in indigenous Harry Potter series translation. Selected fragments of the novel are referring to the widely understood ‘food’ category and are compared in terms of language and culture. It is known that the Polish translator extends (but does he always domesticate?) the world presented in the novel to the reader’s country. However, it is really ambigious, how these extensions affect the interpretation of Polish recipient.

12

Response to spatial and nonspatial change in wild (WWCPS) and Wistar rats

88%

Stryjek R., Modlińska K., Pisula W.

Polish Psychological Bulletin

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2012

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vol. 43

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issue 2

124-131

EN

The purpose of the experiment was to investigate the effects of domestication on exploration in rats. The comparison was made between wild Warsaw-Wild-Captive-Pisula-Stryjek (WWCPS) rats and Wistar laboratory rats. The study used a purpose-built maze divided into zones connected with a corridor. Objects were placed in two out of four zones. Their location and shape were subject to experimental manipulation. Transporter used to move rats to the maze provided the opportunity for spontaneous exploration of the experimental arena. Rats were subjected to a series of 10 sessions (habituation), followed by a spatial or nonspatial change in the experimental arena, after which another 5 experimental sessions were conducted. The study revealed that wild rats had much higher exploration latency than their laboratory counterparts. At each analyzed stage, WWCPS rats spent much more time in the transporter than Wistar rats. Wistar rats spent much more time during the experiment on object interaction in the experimental arena. In post-manipulation sessions, however, it was wild rats that explored object zones relatively longer than laboratory rats. No differences in the animals’ behavior depending on the type of change were observed. Results suggest that wild rats tend to explore much more cautiously than laboratory rats and are more sensitive to changes in their environment. The underlying cause of these differences is likely to be the higher level of stress in wild rats, resulting from threats in their natural habitat.

13

Udomowiona Leyla czy egzotyczny Munir Nurettin? Krytyka przekładu w świetle komparatystyki i translatologii

88%

Przegląd Orientalistyczny

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2024

89-97

EN

In the nineteenth century Friedrich Schleiermacher made an indication to a pair of translation strategies which in 1995, Lawrence Venuti in his work “The Translator’s Invisibility” named “foreignization” and “domestication”. According to Venuti, domestication aims to minimize the strangeness of the foreign text and bring the writer to the reader. A foreignizing method is defined as a translation that indicates the linguistic and cultural differences of the text by disrupting the cultural codes that prevail in the target language. In 1965, Czytelnik Publishing House released in Poland a collection of short stories entitled Dam Ci dobrą radę (Eng. “I’ll give you good advice”) by the Turkish prose writer Aziz Nesin (1915–1995) and translated by M. Łabęcka-Koecherowa. Polish translation of the short story entitled Gûlgûle yok mu? (Polish title: “Etiudąku nie ma?”) contains good examples of a “domesticated translation”. This comparison shows what kind of choices and interventions the translator has to make to prevent the translation from being lost in footnotes, preserving the cultural context of the original and, at the same time, being acceptable within the target context.

14

Conrad in Polish Periodicals: The Mirror of the Sea in Wiadomości Literackie (1924)

88%

Adamowicz-Pośpiech A.

Yearbook of Conrad Studies

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2013

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issue 8

PL

During the years immediately after Poland regained its independence in 1918 the country could boast few literary periodicals. One of them was Wiadomości Literackie (Literary News), which appeared for the first time on 6th January 1924 in Warsaw. Wiadomości Literackie serialized several translations of Conrad’s work, including: “Dusza przeciwnika” (“The Character of the Foe” [collected in The Mirror of the Sea]), “Conrad w Krakowie w r. 1914” (“First News”) and “Książę Roman” (“Prince Roman”). The present article focuses on one translation of “The Character of the Foe” by Józef Brodzki. It explores the strategies used by the translator to domesticate Conrad’s text. These comprised explication, addition, substitution and omission – none of which, however, should be perceived as a limitation. On the contrary, these modifications served the purpose of introducing Conrad’s maritime fiction to the Polish reading public and were a necessary procedure during the early stages of his reception in Poland. They are in line with the Retranslation Hypothesis formulated by Antoine Berman. On the whole, Brodzki’s translation is very effective and conveys the major features of Conrad’s prose by using simpler sentences, paraphrases and neutral language.

15

Official and Internet translations – comparison of culture-related aspects from the perspective of foreignization and domestication dichotomy

88%

Karpińska P.

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vol. 9

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issue 2

136-153

EN

Aim. The study aimed at establishing whether there are any significant differences between the two translations of the same novels: one published unofficially and anonymously on the Internet, and the other published officially by the publisher. The elements taken into consideration in the analysis were: the culture-bound elements, the vulgar terms, and syntactic calques. Methods. The theoretical part of the research is based on the refraction theory by A. Lefevere (1992), according to whom translation is a process regulated by a system in which it functions. In opposition to the regulated translational activity stands unofficial Internet translation. The comparative analysis of the translations was further developed with the application the ‘foreignisation’and domestication dichotomy proposed by L. Venuti (1995). Results and conclusion. The results of the study imply that there are significant differences between the official and unofficial translations; the official translations aim at domesticating techniques, whereas the unofficial translations are more likely to apply ‘foreignising’ techniques, even at the cost of breaking cultural values of the target culture. Cognitive value. The Internet has become an inseparable part of modern people’s daily life, yet Internet activities are still not regulated and researched to such a degree as ‘real world’ ones. The study aims at showing differences between the Internet and official translation, however, it is not able to answer the question regarding the roots of these differences. Further inquiries would be necessary in this case – if even possible.

16

Fraase laenamas: eestlaste ja soomlaste tolkestrateegiaid

75%

Muikku-Werner P.

Mäetagused

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2017

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vol. 69

59-76

EN

Even rather similar proverbs and idiomatic phrases can have national nuances. They reflect the view of life and cultural reality typical for the nation in question. They give information about history, religion, manners, ethics, feelings, etc., of a country. However, the interaction between neighbours is a part of culture, and has contributed to cultural exchange. Because the ideas appearing in proverbs and phrases are in many respects universal, their globalisation happens naturally. Idiomatic phrases are challenging to translate because their meaning is not compositionally derived from their parts. This article demonstrates and compares the strategies that have been used for Estonian and Finnish (TL) in idiomatic phrase translations. The source languages (SL) are German and English. Two main translation strategies are presented: domesticating and foreignising. Domestication refers to the strategy in which the translator tries to reduce potential SL-specific elements by substituting them with corresponding TL-specific cultural elements. When using foreignisation as a strategy, translators refrain from making any changes, although cultural elements are divergent in the SL and TL, and they are retained in translations as close to the original as possible. The meaning of the idiom can be divided into two: the core meaning and additional meaning. Using this dichotomy helps, above all, to describe what kind of changes take place in the domesticating process. Idiomatic phrases carry a package of cultural values associated with the SL, and it is not an easy task to discover which culture-specific and language-specific features, and how, are translatable into the TL. In addition, idiomatic phrases can contain various more or less “poetic” elements, like uncommon words, exceptional word order, alliteration or rhyme. Transferring all these qualities to the TL is difficult but would contribute to maintaining the original expressive power, which is an important component of the idiomatic phrase in its native language. The results indicate that domestication strategies have a very important role in translation. Estonian and Finnish translators favour, for instance, substitution. They also add some expressive constituents like alliteration. Very old loan idioms are not domesticated. Particularly older people prefer established translations, even though they can encompass culturally unfamiliar elements. An interesting new phenomenon is direct, word-for-word translation. This kind of foreignising may be due to the speakers’ wish to show their English skills or their expertise. The use of this strategy stresses something special, like belonging to a certain in-group. There are some differences between Estonian and Finnish translations. Sometimes the Finnish translators advance further in the direction of the target language and culture than the Estonian ones. However, this solution seems to be arbitrary, not regular. Finns are keen on using a new calque translation which not necessarily adds to the intelligibility of the text. Some typically Finnish idiomatic phrases, popular especially among the young people, have not crossed the ocean. It would be very interesting to find out if the Finns living or studying in Estonia have absorbed local idioms.

17

The evolution of translation standards as illustrated by the history of Polish translations of Jane Eyre by Charlotte Brontë

75%

Roszkowska M.

Crossroads. A Journal of English Studies

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2013

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issue 2

43-57

EN

The aim of this article is to outline the most characteristic changes in translation standards which have occurred since the late 19th century. It examines the strategies used by three Polish translators of Jane Eyre by Charlotte Brontë: Emilia Dobrzańska (1880-1881), Teresa Świderska (1930) and Gabriela Jaworska (2007). The earliest translation is more of an adaptation than a faithful rendering; it also makes frequent use of domestication (e.g. most proper names are translated into Polish). The other two translations apply foreignization more often, in particular the most recent one, and are closer to the original both in form and meaning.

18

The problem of horse domestication. Selected issues

75%

Skrzyniecka W.

Analecta Archaeologica Ressoviensia

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2014

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vol. 9

299–325

EN

The main goal of this paper is to discuss the current state of research on horse domestication in prehistory by using selected evidence. This article refers to the steppe origin of horse domestication. Recently, the debate on this problem concerns not only archaeological aspects but also specialist analyses, such as archaeozoology or genetics. The interdisciplinary character of the problems explored in this article creates significant research possibilities, especially with regard to the of origins and dating of horse domestication. All of these issues are still open for debate among archaeologists.

19

Interventional Strategies in the Ukrainian Dubbing of "The Simpsons Movie" (2007)

75%

Weston O.

Cognitive Studies

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2022

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issue 22

PL

W artykule zostają poddane analizie strategie tłumaczenia interwencyjnego w ukraińskim dubbingu filmu The Simpsons Movie (wersja 2007). Na podstawie korpusu równoległego, zawierającego oryginał angielski i dubbing w języku ukraińskim, w artykule dowodzi się, że przekład filmowy często wymaga korekty leksykalnej tłumacza w celu zachowania oryginalnego kontekstu lub nawiązania pożądanej więzi emocjonalnej z odbiorcą. Strategie interwencyjne wybrane w tym artykule i zastosowane do wykrytych fragmentów ukraińskich to uogólnienia, substytucje i pominięcia, które są częścią strategii przybliżenia treści odbiorcy ukraińskiemu, i specyfikacja, która jest częścią obcości. W procesie analizy korpusu równoległego The Simpsons Movie wykryto dodatkowy rodzaj strategii interwencyjnej, którą dodano jako piątą kategorię: udomowienie leksykalne. Strategia ta odnosi się do elementów, które zostały celowo stworzone w celu wprowadzenia obcych replik bliższych językowi docelowemu.

EN

This article analyses the interventional translation strategies employed in the Ukrainian dubbing of The Simpsons Movie (2007). Based on a parallel corpus of the English original and the Ukrainian dubbing, this paper argues that film translation frequently requires lexical adjustments by the translator in order to maintain the original context or to establish the desired emotional connection with the audience. The interventional strategies chosen for this paper and applied to detected Ukrainian fragments are generalisation, substitution and omission, which are elements of domestication strategies; and specification, which is an element of foreignization strategies. In the process of analysing the parallel corpus for The Simpsons Movie, an additional type of interventional strategy was detected and added as a fifth category: lexical domestication. This strategy relates to elements that have been deliberately created with the aim of introducing foreign replicas closer to the target language.

20

Shakespeare Cut and Refashioned: The Ukrainian Translation of Hamlet Made by Hnat Khotkevych (1920s)

75%

Moskvitina D.

Studia Litteraria Universitatis Iagellonicae Cracoviensis

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2018

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vol. 13

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issue 3

155-163

EN

Shakespeare’s Hamlet has always been an attractive challenge for the Ukrainian translators. For now there are more than a dozen variants, and some of them have entered the treasury of the Ukrainian Shakespeareana. It is worth mentioning that the vast majority of these translations were made disregarding the perspective of a production. Only three Ukrainian ‘Hamlets’ were created for the stage, and the almost forgotten translation by Hnat Khotkevych is among them. Although this version was intended for performance, none of its words have ever been pronounced from the stage. Hnat Khotkevych, a renowned Ukrainian musician, writer and theatre practitioner of the 1900s‒1930s completed his translation to bring Shakespeare closer to ordinary people. He was deeply convinced that Shakespeare’s dramatic legacy had to be partly ignored to make it suitable for a stage production in Ukraine in the early 20th century. That democratic intention of the translator resulted in a dramatic simplification of the original text. The technique, employed by Hnat Khotkevych, meant, first of all, cutting the dramatis personae of Fortinbras, Voltimand, Cornelius; the gravediggers never appear in this version either. Besides, the translator, firmly believing that Ukrainian actors of his time were totally incapable of reciting Shakespeare’s poetic verse, transformed the Bard’s iambic pentameter into prose. In his translation, Shakespeare’s tragedy acquired specific linguistic and stylistic features of a typical Ukrainian play of the late 19th–early 20th century, much like Khotkevych’s own dramas.

Refine search results

Przyczynek do badań nad aspektem kulturowym Eneidy Iwana Kotlarewskiego w tłumaczeniu Piotra Kuprysia

(Un) cultural Cats: Multi-dimensional Transition of Felines in Human Society

Strategie tłumaczy wobec zjawiska obcości kulturowej w przekładach dwudziestowiecznej prozy nowogreckiej na język polski

Warsaw Wild Captive Pisula Stryjek rats (WWCPS) - Establishing a breeding colony of Norway Rat in captivity

DOMESTICATING AND MODERNIZING HEART OF DARKNESS

Zwierzęta pozaludzkie jako podmioty polityki Koncepcja zoopolis i jej krytyka

Еще раз о трудностях перевода Представления И. Бродского (Е. Чех и А. Берлина)

KONTRASTIVE BEHANDLUNG DES SPRACHLICHEN HUMORS: DEUTSCH-ENGLISCH-RUMÄNISCH

Translation of Military Register in the Polish Subtitles of American War Movies

Wolność tłumacza w procesie lokalizacji gier wideo na przykładzie Final Fantasy XV

Egzotyzacja i domestykacja w polskim tłumaczeniu powieści „Harry Potter i Kamień Filozoficzny” J. K. Rowling

Response to spatial and nonspatial change in wild (WWCPS) and Wistar rats

Udomowiona Leyla czy egzotyczny Munir Nurettin? Krytyka przekładu w świetle komparatystyki i translatologii

Conrad in Polish Periodicals: The Mirror of the Sea in Wiadomości Literackie (1924)

Official and Internet translations – comparison of culture-related aspects from the perspective of foreignization and domestication dichotomy

Fraase laenamas: eestlaste ja soomlaste tolkestrateegiaid

The evolution of translation standards as illustrated by the history of Polish translations of Jane Eyre by Charlotte Brontë

The problem of horse domestication. Selected issues

Interventional Strategies in the Ukrainian Dubbing of "The Simpsons Movie" (2007)

Shakespeare Cut and Refashioned: The Ukrainian Translation of Hamlet Made by Hnat Khotkevych (1920s)