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1
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Ksiądz Marek Juliusza Słowackiego a księgi prorockie Starego Testamentu

100%
Nowak M.
Ruch Literacki
|
2022
|
issue 4
571-589
EN
This article takes a closer look at Juliusz Słowacki's poetic drama Ksiądz Marek ( Father Marek) from the perspective of its links and affinities with some of the prophetic books of the Bible. A comparison of the text of the drama with parallel passages of the Book of Isaiah and the Book of Ezekiel in the Jakub Wujek Bible throws into sharp relief the prophetic-visionary characterization of the title hero (whose real-life prototype the Franciscan friar Marek Jandołowicz was the charismatic leader of the Bar Confederation) as well as other dramatis personae (especially Klemens Kosakowski). Comparing parallel passages not only brings to light Słowacki's use of Old Testament imagery but also reveals a multilevel embedment of the drama in the biblical vision of God's work in the world. It seems that this aspect of Słowacki's creative art has not been fully appreciated in the critical readings of the drama. His relationship with the Bible should be treated as something more fundamental than a an indicator of his religious faith and, also, as a respectful and critical commitment to a narrative model of ageless relevance.
2
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The Baroque ‘theatrum mundi’: Juliusz Słowacki’s translation of Calderón’s “El príncipe constante”

80%
Kryś M., Kryś M.
Ruch Literacki
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2018
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issue 6
3
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Genesis from the Spirit, or subjectivity and nature in Juliusz Słowacki

80%
Kutrzeba K., Kutrzeba K.
Ruch Literacki
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2021
|
issue 5
4
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Sacrum i błoto. Uświęcenie materii w wierszu [ Snycerz był zatrudniony Dyjanny lepieniem…] Juliusza Słowackiego

80%
Rzepniewska-Kosińska A.
Ruch Literacki
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2021
|
issue 6
787-801
EN
In this interpretation of Juliusz Słowacki's ‘Snycerz był zatrudniony Dyjanny lepieniem…’ [The carver was busy shaping Diana's statue] the discussion focuses on his attitude to matter, especially as the material of art. The article argues that Słowacki elevates and even sacralises mud, the most lowly of raw materials, and thus exposes the falseness of the popular view that he despises matter, the base opposite of the spirit. However, it would be more accurate to say that in his vision, which is part of his Genesis from the Spirit philosophy, the path to salvation leads through the reconciliation of spirit and matter rather than a triumph of one over the other.
5
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Juliusz Słowacki’s problems with eroticism

80%
Ciechańska M., Ciechańska M.
Ruch Literacki
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2019
|
issue 3
6
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Temporalność martwego ciała w romantycznych opowieściach o dziejach bajecznych

70%
Pałucka A.
Ruch Literacki
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2023
|
issue 1 (376)
85-103
EN
The aim of this article is to trace the relationship between time and dead bodies or human remains in selected works of the Romantic period featuring Poland’s legendary (pre)history, notably Józef Ignacy Kraszewski’s Stara baśń ( An Ancient Tale), ‘Lech’ from Deotyma’s Polska w pieśni ( Poland in Song), Cyprian Norwid’s Wanda and Krakus, and Juliusz Słowacki’s Balladyna, Lilla Weneda and Król-Duch (The Spirit King). As Polish state was effaced from the political map of Europe (“laid in the grave”) the Romantics sought to affirm Poland’s indelible cultural and historical continuity by blurring the hard bound-ary between past and present. Hence a new interest in all kinds of burial sites – tombs, mounds and barrows – and the human remains interred there. Their continued presence undermines simple notions of life and death. The article examines the poetic elaborations of the idea of temporality, especially the imagery used to challenge the official narrative of Poland’s history. If the dead (con-ceived realistically or symbolically) do not cease to exist, the historiography of the victors does not have the last word. Moreover, by reanimating the dead, investing them with a bodily form and giving each of them a voice to tell their story, the Romantic writers produced a new way of history writing based on a radical revision of the relationship between past, present and future.
7
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Stanisław Pigoń’s Jubilee Golden Thoughts on Cracow’s Chair of Polish Literature

61%
Okoń J., Okoń J.
Ruch Literacki
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2018
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issue 6
8
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The body – action – communication: Juliusz Słowacki's “Samuel Zborowski”

57%
Żaglewska A., Żaglewska A.
Ruch Literacki
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2019
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issue 6
9
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Ślaz – nieoznaczone axis mundi w imaginarium Lilli Wenedy

57%
Grzegórzek M.
Ruch Literacki
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2022
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issue 1
15-32
EN
This is a deconstructive reading of Juliusz Słowacki's Lilla Weneda, focusing on Ślaz, an enigmatic character usually marginalized in interpretations of this quasi-historical Romantic drama. Drawing on Professor Marta Piwińska's study of ‘Lilla Weneda’ in Dramat polski: Interpretacje (2001), this article explores the gaps and fissures in Słowacki's text. While complementing her analysis with a number of alternative readings, this article also uses deconstruction to challenge some of the points that are embedded in the traditional reception of the drama.
10
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Don Kichot jako intertekst w poematach dygresyjnych Juliusza Słowackiego

57%
Siwiec M.
Ruch Literacki
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2022
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issue 5
781-800
EN
This article examines the position of Cervantes' Don Quixote in the intertextual network of Juliusz Słowacki' digressive poems, closely bound up with Schlegel's conception of Romantic irony. The article analyzes in turn direct references to Don Quixote; the use by the Polish poet, often with an ironic twist, of Cervantes' narrative strategies; the influence of Cervantes on the creation of the world of the poems (not least their central characters) and on Słowacki's extensive use of parabasis in all its varieties – from authorial commentaries and addresses to the reader, through characters who step out of their role to speak to the reader, to the foregrounding of the problems involved in the act of reading – to highlight and disrupt the illusion of fictional truth. The analysis shows that the Spanish classic was in many ways Słowacki's literary model and an aesthetic inspiration.
11
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„Ja” Króla-Ducha – rozpraszanie i scalanie

57%
Siwiec M.
Ruch Literacki
|
2018
|
issue 1
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