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Journal

ARS

2021 | 54 | 1 | 3 – 32
Article title

EINE ANDERE MODERNE IM PARIS DER DRITTEN REPUBLIK. DIE „FONTAINES WALLACE“ UND JULES COUTANS „PORTEUSE DE PAIN“ ALS AVANTGARDE-KUNST

Authors
Content
Title variants
EN
Another modernity in the Paris of the Third Republic. The “Fontaines Wallace” and Jules Coutan’s “Porteuse de pain” as Avant-Garde Art
Languages of publication
DE
Abstracts
EN
The first study, which deal with works of the ‘other modernity’ of the French 19th century, deals with objects that, as multiply producible and stylistically eclectic objects, fell through the Modernist grid, although they correspond exactly to a definition of the avant-garde as formulated in the succession of Saint-Simon. The second study asks whether the iconography of “modern life”, in the sense of Charles Baudelaire’s “Le peintre de la vie moderne”, should not be added to the definition of modernity - against a limited formalist definition of modernity.
Journal
ARS
Year
Volume
54
Issue
1
Pages
3 – 32
Physical description
Contributors
author
  • Institut für Kunstgeschichte, Heinrich-Heine-Universität, Universitätsstr. 1, D-40225 Düsseldorf, Germany
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.cejsh-c0f86046-4685-437f-865d-df4df34b6740
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