PL EN


2011 | 65 | 2-3(293-294) | 299-304
Article title

Fotodinamismo 100! Bragaglia, Boccioni, Bergson i problemy futurystycznej fotografii

Title variants
EN
FOTODINAMISMO 100! BRAGAGLIA, BOCCIONI, BERGSON AND PROBLEMS OF FUTURISTIC PHOTOGRAPHY
Languages of publication
PL
Abstracts
EN
The article was intended for the hundredth anniversary of the experiment of photo-dynamism, recognised as the first symptom of avant-garde photography. The Bragaglia brothers, residents of Rome, fascinated with the quests conducted by Italian Futurism, wanted to apply Futuristic ideas in the domain of photography – to bring forth in the photograph absolute motion expressing the truth about the dynamically changing world. Despite such a bold and revolutionary experiment their search was never accepted by Umberto Boccioni – the ideologue of Futuristic visual arts. Not until the 1930s, when photography (alongside the cinema) became the most important medium of avant-garde artistic works, photo-dynamism was fully rehabilitated by the Futurists as the first symptom of modern solutions in art.
Year
Volume
65
Issue
Pages
299-304
Physical description
Contributors
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.cejsh-e9deae9a-200c-42af-a800-5e0f76d66000
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.