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2007 | IX | 131-142
Article title

Moskiewski konceptualizm - między awangardą a postmodernizmem

Content
Title variants
Languages of publication
PL EN RU
Abstracts
EN
The Moscov Conceptualism was one of the famous phenomena of non-official art. It showed emptiness of soviet paintings, literature, art. The Moscow underground was connected by the same feeling and need to change the soviet language poisoned by demagogy of politicians, by the falsity of official slogans and literature. It entered two influential styles in non-formal culture of the 1970s and 1980s. First of them was concentrated on a visual art and used term "soc-art" connected with series of paintings by Vitaly Komar and Alexander Malamid. It compared material forms of soviet ideology (posters, slogans, graphic art) with the profusion of Western commercial advertising products and pop art. The second circle of artists was concentrated near Ilya Kabakov and included not only painters but also great writers like Dmitry Prigov, Lev Rubinstein and Vladimir Sorokin, who used to deconstruct typical socrealistic literature by showing her absurd. This trend was called Moscow Conceptualism and was in many points connected with traditions of avant-garde art, especially futurism and OBERIU.
Year
Issue
IX
Pages
131-142
Physical description
Dates
published
2007
Contributors
  • Uniwersytet Gdański
References
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Document Type
Publication order reference
Identifiers
ISSN
1509-1619
YADDA identifier
bwmeta1.element.desklight-569e465c-c3eb-46d5-b01a-208f09cdd12b
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