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2015 | 19 | 6-24

Article title

Humor i sztuka. Uwagi typ(k)ologiczne.

Content

Title variants

EN
Humor and art. Characters and sketches

Languages of publication

PL

Abstracts

EN
In different historic periods, artists used the element of humor in their works of art and the results of their interest can be considered as aesthetic category. Humor was often combined with irony, self-irony, satire etc. Also, it was used as independent form. In popular and not necessarily in artistic work, humor played rather secondary role in the culture. Immanuel Kant and many later authors did not consider, however, humor-art as art-form. The Dadaists and other artists active after the 1960’s did not follow those gloomy ideas of their predecessors. As the result of that change, humor gained a new meaning. Today, the art forms which gained originality and significance because of humoristic content, are considered as important manifestations of art. Among them, special attention should be paid to art-form which gained strength because of their humor. Hence, we might say, as did Marcel Duchamp, paradoxically, that humor contributed to the seriousness of art. Also, we might highlight the role of practical joke.

Keywords

Year

Volume

19

Pages

6-24

Physical description

Dates

published
2015

Contributors

References

  • Charles Baudelaire, O istocie śmiechu i ogólnej komiczności w sztukach plastycznych, tłum. Marek Bieńczyk, „Literatura na świecie”, nr 10–11, 1999, s. 181.
  • Kazimierz Piotrowski, Acutum ingenium. Asteiologiczny motyw w estetyce i sztuce, „Estetyka i Krytyka”, t. 24, nr 1, 2012, s. 153.
  • Jennifer Higgie, Introduction // All Masks Welcome, [w:] Jennifer Higgie red., The Artist’s Joke, w serii Documents of Contemporary Art, Whitechapel, The MIT Press, London – Cambridge, Mass. 2007, s. 12–19.
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  • Immanuel Kant, Krytyka władzysądzenia, tłum. Jerzy Gałecki, Warszawa, Państwowe Wydawnictwo Naukowe, 1964, s. 276.
  • Henri Bergson, Śmiech. Esej o komizmie, tłum. Stanisław Cichowicz, Wydawnictwo Literackie, Kraków 1977. W tym tomie jako wprowadzenie: Stefan Morawski, Paradoksy filozofii komizmu.
  • Francis Naumann cytowany w: Ann Landi, The Joke’s on Us, „Art News”, December, 2011, s. 95.
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  • To Change Names, Simply, interview of Marcel Duchamp by Guy Viau, tłum. ang. Sarah Skinner Kilborne, Canadian Radio Television, July 17, 1960, http://www.toutfait.com/issues/volume2/ issue_4/interviews/md_guy/md_guy.htm/, dostęp: 01.04.2015
  • Berys Gaut, Just Joking: The Ethics and Aesthetics of Humour, „Philosophy And Literature”, t. 22, nr 1, 1998, s. 51–68.
  • Magnus af Petersen, Paul McCarthy’s 40 years of hard work – an attempt at a summary, Head Shop/ Shop Head, Steidl Verlag, Göttingen 2006, s. 20.
  • Bruce Altshuler, The Pranksters of Paris, „Art in America”, February, 1977.
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  • Rhonda Roland Shearer, Marcel Duchamp’s Impossible Bed and Other „Not” Readymade Objects: A Possible Route of Influence From Art to Science, cz. 1: “Art & Academie”, t. 10, Nr 2, 1997, s. 78–95; cz.2: www.marcelduchamp.org.com/mail/u/o/?pli=inbox (2000), dostęp 02.04.2015.
  • Kirk Varnedoe i Adam Gopnik, High&Low: Modern Art Popular Culture, Museum of Modern Art, New York 1990, s. 272–278.
  • Ann Landi, dz. cyt., s. 93.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-fb282c3d-66b0-453e-b948-003a7c826d89
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