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EN
The paper undertakes a comparative analysis of three texts: War’s Unwomanly Face by Svetlana Alexievich, the novel The Sleeping Voice by Dulce Chacón, and a testimony about women’s activism, resistance and imprisonment during the Francoist regime edited by Tomasa Cuevas. The aim of the study is to examine the problems of feminine authors’ narratives being excluded from official archives of memory, as well as emotions. The issues are considered in two different political contexts which, nevertheless, reveal quite similar mechanisms of an organization using hegemonic discourses of power.
EN
This article is a voice in understaning the problem of Spanish «dis-exile» from a perspective shown by Maria Zambrano. In her various writings one can follow a strict line of her philosophical thinking dedicated to the individual and historical consciouseness that an exiled person can recover when he/she starts his/her journey to an unknown future: his/her soul is crossed by signs of centuries. That is why an exile, and dis-exile as its consequence, can become an apparent contra-diction: the fact of being deprived of a common and obvious reality lets reach one's origins of identity. Maria Zambrano herself was exilied for forty five years between 1939 and 1984 and this experience became an essential dimension of her life.
EN
The purpose of this paper is to uncover the mechanisms used by the Francoist regime to seize the children of its political opponents, as well as to discuss the problem as depicted in contemporary historical novels. In order to achieve these goals, the paper begins with an inquiry into eugenics, as interpreted by the infamous Spanish psychiatrist Antonio Vallejo Nágera. Further, the author reviews the processes through which biological parents (and/or family) lost the legal control over their children, many of whom had their identities changed. Consequently, the analysis focuses on three new historical novels (La voz dormida by Dulce Chacón, Mala gente que camina by Benjamin Prado, and Si a los tres años no he vuelto by Any R. Cañil), which use the mediation of historical memory to recover the remembrance of the lost children of the Francoist regime.
EN
The present article tries to explain some points of the generic definition of confession, showing that there are some determinant factors that allow to distinguish it from the autobiography such as: thematic space, reason and/or narralaire and treatment of time and memory.
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