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EN
“The end of geography” was postulated two decades ago by Richard O’Brien. This article tries to refer it to the Slovenes, the nation which only for two decades has its own state and its own geography. The case study of the artist, the ideal transmigrant, as Marta Bucholc would say, gives us the possibility to understand the nature of the contemporary world in the best way. That is why the object of an analysis in this article is the collective Neue Slowenische Kunst, one of the most important cultural and social phenomena of the1980s in Slovenia. This article presents very briefly the history of the state of Slovenia and the development of culture of this country, especially in the late 1980s and in the 1990s when very important changes on the map occurred. As a consequence, NSK’s artists decided to detach their projects from space and situate them in time, but it was not a gesture of including themselves in the so-called “global trend.” On the contrary, it was a very serious proposition of the revision of their national and artistic, Slovenian and Eastern European, identity. Slavoj Žižek probably was right that this part of Europe requires a separate study, without automatically entering it into the framework of the ideology of globalization.
EN
Refugee or "Newcomer". Dispute over the Word: About the Artistic Project "Nowacy" ("Newcomers") by Jana Shostak in the Context of the Construction of Meaning and the Migration CrisisThe artistic diploma project of Jana Shostak, a Polish student from Belarus, assumed the introduction of the word “nowak” (newcomer) into the Polish language as an alternative to the negative term “refugee.” This initiative becomes particularly important in the context of the migration crisis, going beyond the safe sphere of art. The methods of presenting it, both by the artist and by the media, in the form of interviews, press articles and comments on internet forums, were analyzed. The article is an attempt to make a meta-interpretation of this artistic proposal from the perspective of critical cultural studies, emphasizing two main areas: culture as a battlefield and language as a tool of constructing meaning. Methodologically, it is also supported by relativistic linguistic theories, the paradigm of symbolic interactionism, ethnomethodology, the concept of engaged aesthetics and critical theory. Uchodźca, czyli „nowak”. Spór o słowo. O projekcie artystycznym  „Nowacy” Jany Shostak w kotekście konstruowania znaczeń i kryzysu migracyjnegoArtystyczny projekt dyplomowy Jany Shostak zakłada wprowadzenie do języka polskiego słowa „nowak” jako alternatywy dla negatywnie nacechowanego określenia „uchodźca”. Inicjatywa ta nabiera szczególnego znaczenia w kontekście kryzysu migracyjnego, wykraczając poza bezpieczną sferę sztuki. Analizie poddane zostały sposoby jej prezentowania zarówno przez artystkę, jak i przez media, w postaci wywiadów, artykułów prasowych oraz wypowiedzi na forach internetowych. Artykuł jest próbą dokonania meta-interpretacji tej propozycji artystycznej z perspektywy kulturoznawstwa krytycznego z postawieniem akcentu na dwa zasadnicze obszary: kultury jako pola walki oraz języka jako narzędzia konstruującego znaczenie. Metodologicznie wspiera się również relatywistycznymi teoriami lingwistycznymi, paradygmatem interakcjonizmu symbolicznego, etnometodologią, oraz koncepcją estetyki zaangażowanej i teorią krytyczną.
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