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Zbrodnia w bibliotece albo Śledztwo w sprawie lektury: casus powieści detektywistycznej

100%
Kraska M.
Literatura i Kultura Popularna
|
2013
|
vol. 19
93 - 104
EN
Taking The Body in the Library by Agatha Christie as an example for analysis, the author of this article underlines that a common motif in detective stories are the intertextual and autothematic references to genre-specific rules. Their presence lends the experience of reading detective novels its own specific character. Therefore, the author of the text claims that the criminal intrigue can be considered as a representation of the very act of reading and interpretation. This proves that the main source of pleasure derived from reading detective novels is by no means the answer to the question of “who’s done it.” The greatest satisfaction in the act of reading is enjoyed by the reader in terms of creating and selecting various alternative scenarios and solutions, which is a defining characteristicof the experience of interpretation.
2
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Recenzja leksykonu "Powieści graficzne"

100%
Kraska M.
Literatura Ludowa
|
2018
|
vol. 62
|
issue 2
PL
Recenzja:Powieści graficzne. Leksykon (2015). S. J. Konefał (red.).Warszawa: Timof i cisi wspólnicy , ss. 544.
3
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Metafora w kulturze popularnej. Przypadek graffiti

100%
Kraska M.
Przestrzenie Teorii
|
2007
|
issue 7
159-171
EN
The author acknowledges graffiti as a medium creating its own situation of communication. Referring to Scott Lash conception of regime of signification, he underlines that graffiti is critical and destructive to official cultural discourse. This is a kind of anarchistic revolt which is shown within graffiti by a metaphor. It means, unlike to other writings of culture, invalidation of a cognitive function to pragmatic one. One can prove that graffiti metaphor, as a kind of activity, is mainly used in language and through it. In the field of poetics it is presented by destruction of generał language forms, irony and humor, quotation and spelling variations as well as vulgarisms and purnonsens.
4
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O „Poetyce doświadczenia” Ryszarda Nycza. Z komentarzem do jednego zdania. Wersja do użytku badaczy literatury popularnej

100%
Kraska M.
Jednak Książki. Gdańskie Czasopismo Humanistyczne
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2017
|
issue 8 "Jak czytać (pop)literaturę?"
51-66
EN
How do people read popular literature? Is it possible to connect reading popular literature with category of aesthetic experience (what kind?), or – eventually – what kind of theory could successfully describe this relation? All those questions create a context of the analysis of the book Poetyka doświadczenia (The Poetics of Experience) by Ryszard Nycz. Its author postulates that literature should be understood as a form of the enunciation of experience. He circumscribes here an experience as a specific kind of two-way interaction between readers and their cultural environment, society or nature. It seems that a wide definition, which includes – for example – testimonies of community memory and private, idiosyncratic expressions – describes popular literature, too. However, the author of the article, precisely focusing on the motifs in Nycz’s theory, which directly or indirectly relate to popular literature, doubts its ability to read popular culture. He argues that Nycz’s formula, in fact, is based on modernist conception of high literature with its sacralisation, which eliminates understanding aesthetic experience as a form of pleasure or ludic involvement.
5
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Jak czytać (pop)literaturę?

100%
Kraska M.
Jednak Książki. Gdańskie Czasopismo Humanistyczne
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2017
|
issue 8 "Jak czytać (pop)literaturę?"
9-10
6
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Od Redakcji

63%
Dajnowski M., Kraska M.
Jednak Książki. Gdańskie Czasopismo Humanistyczne
|
2021
|
issue 12
5-6
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