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EN
The article presents the phenomenon of clearance in both the poetry of Bolesław Leśmian and the philosophy of Martin Heidegger. The author indicates the common points in both these thinkers’ investigations. In addition to a review of the previous discussions of this problem, the article postulates including the clearance in the group of aesthetic categories, because of its dynamic character. It also proposes a modified definition of clearance as a contrast of light with predominant albeit secondary darkness.
EN
The article shows how the visual-painting category of afterimage, which derives from Władysław Strzemiński’s concept, functions at the level of literature (in the poetry of Bolesław Leśmian) and literary studies, as an attempt to apply art concepts to the interpretation of verse. The text is experimental in that it suggests using afterimage as a tool of cognitive philosophy that enables the new meanings to be highlighted in reading the poetic works of Leśmian and in establishing the relations between the visual and the word.  
PL
The article shows how the visual-painting category of afterimage, which derives from Władysław Strzemiński’s concept, functions at the level of literature (in the poetry of Bolesław Leśmian) and literary studies, as an attempt to apply art concepts to the interpretation of verse. The text is experimental in that it suggests using afterimage as a tool of cognitive philosophy that enables the new meanings to be highlighted in reading the poetic works of Leśmian and in establishing the relations between the visual and the word.
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