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PL
Napisany przed dwoma laty tekst dotyczy przede wszystkim kulturoznawstwa, ale także podstawowych zasad zarządzania procesem dydaktycznym w uczelni.
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MODRZEJEWSKA W „MUZEUM”

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PL
Dlaczego Modrzejewska? – proszę nie pytać, to wstyd. Bo Modrzejewska jest dobra na wszystko, dla wszystkich, wszędzie. I zawsze. Dlaczego w „Muzeum”? – w cudzysłowie, od dużej litery? Przede wszystkim z powodu bezradności. Bo Modrzejewska wprawdzie żyła w latach 1840–1909, ale przecież ona żyje dalej. W powieści Susan Sontag, w marzeniu Jerzego Skolimowskiego o filmie jego życia, we wręcz współczesnych kalifornijskich dyskusjach o wartościach – w sensie estetyki, dobroczynności, osoby ludzkiej,
PL
Salon Heleny Modrzejewskiej realny (Emil Orzechowski) i wirtualny (Aneta Maj)
PL
The management of the memory of an artist on the example of the Foundation for Support of Helena Modjeska’s Life and Art The Foundation for Support of Helena Modjeska’s Life and Art, established in 2009 in Krakow, is an organization whose principal purpose is to preserve and disseminate  the memory of the great artist. This article is a presentation of the Foundation’s structure, its way of functioning, and the most important tasks until now, as well as an attempt to place the organization in the context of memory management processes. The authors try to point out the need to remember about artists as those who build cultural identity, to highlight the role of the past as a tool for the interpretation of the present, and to find the standards that define the ethics of social behavior for generations, the existence of which is made known by the ideas represented by outstanding Polish artists.
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