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Od odświętności do codzienności – muzyka jako audiosfera współczesnego świata

100%

Pęczak M.

Kultura Współczesna. Teoria. Interpretacje. Praktyka

2017

vol. 96

issue 3

36-45

In this article, the category of omnivorousness is taken up as a new model of cultural consumption, displacing the homologous snobbery of the elite. Referring to the study of musical taste, the author points out that in the place of the elite taste of the privileged classes, appears cosmopolitanand unlimited omnivorousness, which also consumes unapproved species and flavors. At the same time, it has been pointed out that omnivorousness does not mean unreflective consumption of everything, but rather the openness and broadening of the spheres of current cultural consumption. The author convinces that this model of omnivorousness in the postmodern world becomes a way of reaching people from other social classes and understanding habitus different from their own. In this approach, popular culture becomes the only obligatory, far from being a symptom of bad or low taste.

Underground po Śląsku

63%

Zańko P., Pęczak M.

Sprawy Narodowościowe

2018

issue 50

Underground music scene in SilesiaUpper Silesia is usually associated with the historical land situated in southern Poland with highly developed industry, mainly mines and steelworks. The inhabitants of Upper Silesia are perceived as conservatist. In spite of that, it is Upper Silesia, precisely Gliwice, where the most vigorous underground music scene in communist Poland was created at the beginning of the 1980s. The Gliwice Alternative Scene was focused around student clubs in Gliwice with „Gwarek” as the representative one. In this article we will show the artistic legacy of chosen musical bands from GAS such as Smierc Kliniczna, R.A.P., Absurd, Processs, Brzytwa Ojca. In particular we will analyze the lyrics and quote interviews with the musicians from the before mentioned bands. We will therefore demonstrate that the Gliwice Alternative Scene was not only an alternative to the blues scene, which was very popular in Upper Silesia, but also through the fusion of punk, reggae and new wave as well as unconventional, radical lyrics, it stood out among other bands which created the Polish underground musical scene of the 1980s. In terms of its social impact, it was a “niche within a niche”. Finally, it is worth noting that the Gliwice Alternative Scene was beyond censorship and the dominant communist discourse. Underground po ŚląskuGliwicka Alternatywna Scena (GAS) była jednym z najprężniej rozwijających się środowisk alternatywnego rocka w Polsce lat 80. Organizowała się od początku tamtej dekady w gliwickich klubach studenckich, z których najbardziej emblematycznym miejscem okazał się „Gwarek”. Najważniejszymi zespołami GAS były: Śmierć Kliniczna, R.A.P., Absurd, Processs, Brzytwa Ojca. W tekście skupiamy się w szczególności na analizie tekstów piosenek wymienionych zespołów oraz treści wywiadów narracyjnych, prasowych, radiowych przeprowadzonych z muzykami współtworzącymi GAS. Wynika z nich, że opisywane przez nas zjawisko dobrze oddawało ducha całej polskiej alternatywy ostatniej dekady PRL, jak i pozostawało fenomenem specyficznym w skali regionalnej.

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1 Kultura Współczesna. Teoria. Interpretacje. Praktyka

1 Sprawy Narodowościowe

2 Pęczak M.

1 Zańko P.

1 2018

1 2017

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Od odświętności do codzienności – muzyka jako audiosfera współczesnego świata

Underground po Śląsku