Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
EN
The author analyses a history of research on culture in communist Poland and the USSR (later Russian Federation). She finds similarities and differences. During the time of communist Poland a tendency was to standardize the supply of culture and make the access to it more democratic. The basic task of the sociology of culture in communist Poland was to control the advancement process of culture dissemination and research into the various forms of participation. However, in the second half of the 70s attention was more and more focused on the directions of cultural sociology development and functions. Following the fall of communism this discipline was faced with a challenge of embracing all the important directions of changes while indicating a now socio-cultural model at the same time. In the USSR, on the other hand, the government was interested only in the cultural research which was to confirm a hypothesis on fast cultural development of masses. Sociology of culture did not exist as a science, though. Following years of deep crisis, when perestroika period began, sociologists of post soviet Russia faced a serious challenge: how to move from “the only one true” Marxist paradigm to the mastering and usage of various theories which functioned in sociology around the world. The Author indicated the contribution in this respect i.a. of Vladimir Yadov or academics circled around Yurij Levada. In general one can say that in Poland as well as in Russia, the sociology of culture following the fall of communist regime and following certain major political, economic, social and cultural changes, found itself in entirely new reality.
EN
The place of cultural animation in the activity of Polish and Russian local institutions of culture after the fall of communism (selected examples)The main objective of this article is to explore and compare the role of cultural animation in the activity of local institutions of culture in Poland and Russia after the fall of communism. Among the significant issues are the strategy of local cultural institutions within the terms of the market economy, the system of values that they promote and the conditions of effective cooperation of these institutions with their audiences. One of the important questions is the institution’s ability to meet the cultural needs of a local community and simultaneously create a ‘civic conscience’ in people. The author has explored the activity of selected local institutions of culture in Poland and in Russia.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.