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Funkcja spojrzenia w filmie "Słońce w drzewie pigwy" Víctora Erice w kontekście percepcji haptycznej Juhaniego Pallasmy

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Link-Lenczowska M.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
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2017
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vol. 97
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issue 4
168-181
EN
The text uses Juhany Pallasmaa’s phenomenological theory of architecture as a way of broadening the sensuous film theory methodology, with the aim of testing the possibility of haptic seeing in cinematography. The Quince Tree Sun directed by Víctor Erice becomes a source for investigating ways of perception other than visual within the space of inner- and outer-diegesis. The article also analyses intertextual relations of painting and film media, the status of images they produce, as well as co-dependence of the protagonist, the author and the viewer in experiencing reality through art.
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