Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Annie Ernaux
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Les Années d’Annie Ernaux en traduction polonaise : des contextes aux paratextes. Analyse des notes du traducteur

100%
Warmuzinska-Rogóz J.
Academic Journal of Modern Philology
|
2023
|
issue 20
197-209
EN
The article concerns the Polish translation of Les Années by Annie Ernaux, published by Czarne in 2022. Translators, Krzysztof Jarosz and Magdalena Budzinska, who is also the editor of the volume, filled out a questionnaire proposed by the author of the article that aims to find out the strategy regarding cultural elements, but also the presence of footnotes. The article contains the analysis of various types of footnotes and various strategies resulting from translation dominant selected by the translators, visible in the Polish translation.
2
Publication available in full text mode
Content available

Mémoire de fille ou la « mémoire pensante » d’Annie Ernaux

80%
Scialpi G., Nóbrega D.
Quêtes littéraires
|
2022
|
issue 12
210-222
EN
The new edition of Annie Ernaux’s writing notebook, L’Atelier noir (Paris: Gallimard 2022), brings unprecedented attention to the almost thirty-year gestation that preceded the publication of the text Mémoire de fille (Paris: Gallimard 2016). Both the content and the form of this text reveal a long reflection on the theme of memory or, rather, on the quality of an impossible remembering. Therefore, the article aims to analyse the 2016 text by means of the considerations on Erinnerung and Gedächtnis common to Paul de Man and Jacques Derrida. The main theoreticalreference will be the text Mémoires pour Paul de Man (1988) and, starting from the reflections on the ‘thinking memory’, an attempt will be made to analyse the narrative outcomes and discursive strategies adopted by Ernaux within this text that stands, perhaps more than any of her others, as the most radical ‘event’ of her writing.
FR
La nouvelle édition du journal d’écriture d’Annie Ernaux, L’Atelier noir (Paris : Gallimard, 2022), porte une attention inédite à la gestation de près de trente ans qui a précédé la publication du texte Mémoire de fille (Paris : Gallimard, 2016). Tant le contenu que la forme de ce texte dénoncent une longue réflexion sur la mémoire ou, plutôt, sur la qualité intrinsèque d’un souvenir impossible ; pour cette raison, l’article tentera d’analyser le texte de 2016 au moyen des considérations sur l’Erinnerung et le Gedächtnis communes à Paul de Man et à Jacques Derrida. Le texte théorique de référence sera les Mémoires pour Paul de Man (1988) et, à partir des réflexions sur la « mémoire pensante », on tentera  d’analyser les résultats narratifs et les stratégies discursives adoptées par Ernaux dans ce texte qui, plus que tout autre, semble constituer l’« événement » le plus radical de son écriture.
3
Publication available in full text mode
Content available

Pour une lecture critique de Les Années d’Annie Ernaux

71%
Pontolillo G.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
|
2022
|
vol. 32
|
issue Special Issue
216-227
EN
This essay deals with the problem of the “End of Art” through a critical reading of Annie Ernaux’s The Years (2008). The analysis of two physiognomic aspects of the book — the white space and the list — reveals some critical points of Ernaux’s poetic of distance: the conflict between the material side and the sensitive side of memory; the rejection of rhetorical invention (inventio) as creation and self-expression; and the attempt to overcome the limits of traditional autobiographical writing. Against the dominant attitude in scholarship, which has mainly focus on the authors Ernaux quotes in the book, I explore other possible connections, through a non-continuistic model of temporality. The problem of the “End of Art” is finally reversed in the specular and complementary problem of the crisis of criticism, on which I focus in the final remarks, by advancing a proposal for another relationship between criticism and common sense.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.