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1
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Is the postcolonial subject soluble in water? The aquatic motif in Saber Assal’s “À l’ombre des gouttes”

100%
Szczur P.
Lublin Studies in Modern Languages and Literature
|
2018
|
vol. 42
|
issue 3
EN
This paper aims to analyse the forms and functions of the aquatic motif in Saber Assal’s autofictional novel À l’ombre des gouttes. It is a recurring motif that structures the story in various ways: by its regular reappearance (including in the incipit and at the end of the novel), its functionality in the representation of the psychic life of the hero, its symbolic dimension and its emblematic nature for the postcolonial character.
FR
L'article contient uniquement les résumés en anglais.
RU
Том не содержит аннотаций на русском языке.
2
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Le paradigme de l’absence dans l’œuvre de Jean Muno

84%
Bizek-Tatara R.
Quêtes littéraires
|
2011
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issue 1
87-100
EN
In the works of Jean Muno the absenteeism theme has got diffrent features and forms. Escape from grey and sad reality to world of imagination is the best way to deal with mental and physical absenteeism: weary figure is looking for loneliness away from his everyday reality. He wants to dream and reflect in peace and quite. The absence has been showed as a lack, also has been presented in the perspective of ontological. Characters created by J. Muno have personality problems cause by time reality and society. Society determined who character should become. All efforts being yourself ends failure. Muno in his works presents french speakers Belgians, called la belgitude. Heroes of Muno have problem with find them national identity, they suffer because of double culture. They are able to accept and take advantage of this situation.
3
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Le voyage à travers l’histoire dans l’oeuvre romanesque de Françoise Lalande

83%
Zbierska-Mościcka J.
Studia Romanica Posnaniensia
|
2012
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vol. 39
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issue 1
81-88
EN
From "Daniel ou Israël" (1987) through "Noir" (2000) and "Une Belge méchante" (2007) and as far as to "La séduction des hommes tristes" (2010) Françoise Lalande’s narratives aspire to give account of the history of human kind, not limited by any specific time or space. In her works, Europe’s history is mixed with history of the world, social with political history, the ancient one describing fate of the Jews with present times, giving account of the events happening before our eyes. The author, convinced of writer’s necessary involvement, reacts to all signs of injustice and brutality so characteristic for the 20th century’s history. Lalande tells us how to live the history playing, according to the author, a key role in creation of our identity. Something that she, as a Jew herself and citizen of the world, is fully aware of.
4
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Maud Frère, interprète de l’Histoire : Les jumeaux millénaires et le conflit de 1940-1945

82%
Bizek-Tatara R.
Studia Romanica Posnaniensia
|
2016
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vol. 43
|
issue 4
61-72
EN
This article concerns the portrayal of the World War II in the Belgian literature on the basis of Les Jumeaux millénaires Maud Frère (1923-1979). Published in 1962, the novel is considered as one of few testimonies of German Occupation in Belgium, its influence on the post-war Belgian-Belgian conflicts (Quastion royale, 1940-1945) and the literary output (déshistoire). This autobiographic narration, full of bitterness and disappointment, portrays a literary and very subjective interpretation of this shameful, unsaid and often neglected period in the Belgian history.
5
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Fantastic metamorphoses. On water creatures in the writing of Maurice Carême and Anna Richter

71%
Bizek-Tatara R.
Lublin Studies in Modern Languages and Literature
|
2018
|
vol. 42
|
issue 3
DE
Das Volume enthält keine Abstracts in deutscher Sprache.
EN
This article focuses on the aquatic element in two fantastic Belgian texts: Médua by Maurice Carême and La Grande pitié de la famille Zintram by Anne Richter, to study different functions: first, the aquatic space evokes the geography of mist and rain of Flanders, mythical land where everything can happen and around which floats an aura of mystery. The role of this location is twofold : it creates both the effect of reality and the fantastic effect. Water also has a diegetic function. Tainted with negative value, it has a negative influence on the characters: it triggers or promotes their metamorphosis and their decay.
FR
Le présent article porte sur l’élément aquatique dans deux textes fantastiques belges : Médua de Maurice Carême et La Grande pitié de la famille Zintram d’Anne Richter, et en étudie différentes fonctions. En premier lieu, l’espace aquatique évoque la géographie de brume et de la pluie de la Flandre, contrée mythique où tout peut arriver et autour de laquelle flotte une aura d’étrangeté. Le rôle de cet ancrage est donc double : il crée à la fois l’effet de réel et l’effet fantastique. L’eau revêt aussi une fonction diégétique. Teintée de valeur négative, elle a une emprise néfaste sur les personnages : elle déclenche ou favorise leur métamorphose et, en fin de compte, leur déchéance.
RU
Том не содержит аннотаций на русском языке.
6
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Teoria realizmu fantastycznego Franza Hellensa i jej literacki kontekst

60%
Siwek R.
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
|
2021
|
vol. 9
273-289
EN
Outside of Belgium the concept of fantastic realism is virtually unknown. The term fantastique réel, as proposed by Picard in the Young Belgian period as a determinant of one of the specific features of literature written by Belgian francophones, has been developed in the work and theoretical reflections of Franz Hellens (1881–1972). The article attempts at synthesising the Belgian author’s theoretical postulates.
PL
Poza Belgią realizm fantastyczny praktycznie nie jest znany. Termin fantastique réel, zaproponowany przez Picarda w dobie przełomu młodobelgijskiego jako wyznacznik jednej ze specyficznych cech literatury belgijskich frankofonów, doczekał się rozwinięcia w twórczości i teoretycznej refleksji Franza Hellensa (1881–1972). Artykuł jest próbą syntezy teoretycznych postulatów belgijskiego autora.
7
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L’usage du bref chez Nicole Malinconi

59%
Zbierska-Mościcka J.
Kwartalnik Neofilologiczny
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2018
|
issue 3
8
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Les inspirations maeterlinckiennes dans l’oeuvre de Bolesław Leśmian

48%
Vandenborre K.
Prace Polonistyczne
|
2015
|
vol. LXX
217-231
EN
The present article has to be understood as a first introduction on Maurice Maeterlinck’s influence on Bolesław Leśmian’s work in general. The topic being quite broad, the focus is on theater and more precisely on the connection between Pelleas and Melisande (1892) and Possessed Violin Player (1911–1912). In order to understand this intertextual parallel, biographical and historical context as well as theoretic and philosophical relations is also examined in the first and the second parts of the article. The comparison reveals striking connections, relying mainly on theater which aims to be exclusively suggestive.
9
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Vera Feyder’s waterscapes

48%
Zbierska-Mościcka J.
Lublin Studies in Modern Languages and Literature
|
2018
|
vol. 42
|
issue 3
DE
Das Volume enthält keine Abstracts in deutscher Sprache.
EN
The novels of Vera Feyder are concerned with identity, memory, space and travel. In her writing her characters inhabit past and present, dream and reality. In particular, dreams and aquatic landscapes intersect in various creative ways in her oeuvre. This article analyses the contours of such landscape, understood in terms both internal and external, in two of her novels: Caldeiras (1982) and La Belle voyageuse endormie dans la brousse (2002).
FR
L’œuvre narrative de Vera Feyder est focalisée sur deux thèmes essentiels : la recherche de l’identité et la quête d’un lieu à soi auxquels il faut ajouter la mémoire et le voyage. Ils se retrouvent tous dans le rêve que développent les personnages de ses romans, en voyageant entre le passé et le présent et entre différentes idenités qu’ils arborent toute leur vie durant. Ce rêve est apparenté à l’eau qui constitue la composante majeure du paysage romanesque de Feyder. L’article analyse les particularités de ce paysage qui est notamment un paysage intérieur, et se réfère à deux romans : Caldeiras (1982) et La Belle voyageuse endormie dans la brousse (2002).
RU
Том не содержит аннотаций на русском языке.
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