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EN
This text is a posthumous work by Assoc. Prof. Josef Vinař (1934–2015), a lecturer at the Theatre Academy of Performing Arts in Prague. Before his death Josef Vinař asked his colleague Jan Vedral to take care of his unfinished theoretical work and make it available. Acting upon this wish and the wish of Vinař’s heirs, Jan Vedral put together a team from some of Vinař’s students (current doctoral students), who compiled Vinař’s theoretical ideas about theatre. The present study is a summary of some of Josef Vinař’s findings and especially his phenomenological ideas about the art of acting. The author prepared it for the Slovak Theatre journal.
EN
The study is based on the observation that when portraying the character of mother in TV series, there is the repeated use of specific elements and attributes that create the character. By analysing thirty series that involve the theme of family, it is trying to define several groups of characteristics that make up the few repeated models when portraying a mother. It defines these models in terms of dramaturgy, therefore in the way in which they should appear to television viewers. It also points out that the same model of portrayal can be found in different genre contexts.
EN
The aim of the article is to present and analyse the image of Blessed Boleslawa Lament in the light of documents collected for her beatii cation procedures. The source material consists of several collections of accounts written by the witnesses of Blessed Boleslawa’s life, such as priests, nuns from the Congregation of the Missionary Sisters of the Holy Family, pupils and other people. The author focuses on dominant qualities of Bl. Boleslawa as an individual and a nun, with particular regard to a literary shape of the material under discussion.
EN
The article is a new proposition in the field of philological research regarding connections between ancient and romantic literature. This paper presents an analysis of Mickiewicz's ballad called Switezianka as a text based on Ovid's Metamorphoses.
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