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This article discusses the specificity of poetic conceptualization of power in the poetry of William Wordsworth. The focus is on the diversity of textual images of a human being in general, such as an individual or collective subject, and on the philosophical concepts of human life and destiny positioned by the authors in the centre of artistic reflection synthesizing the appropriate social pragmatics. The research is based on the cognitive-discursive approach and proceeds from the scientific ideas about the dynamics of correlation between the cultural-historical paradigm and artistic thinking, the cognitive power of artistic image and artistic text as a linguistic sign of national culture. It involves the integration of research tools of linguistic and cognitive stylistics, cultural and literary studies, which builds a vector of analysis from the concept of power as a social phenomenon to its embodiment, explicit and implicit, at different levels of textual matter.
EN
The paper focuses on revealing linguistic and cognitive mechanisms that underlie the formation and functioning of verbal images of native land in William Wordsworth’s poetic system. The artistic concept of Motherland is subjected to linguistic-poetic interpretation. The national specificity of Wordsworth’s poetics reveals itself in the dominance of ethnographic details and naturalness of description, foregrounding the idea of inseparability of individual personal fate and the processes of ethnic environment transformation. Everyday themes and dramatic effect of personal and intimate events in the life of a poetic persona are ascribed symbolic senses and reflect the universal and national destiny of England at the turn of the century.
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