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Reportaż narracyjny jako szczególny sposób na tłumaczenie rzeczywistości z Jackiem Hugo-Baderem w tle

100%
Chruszczewski P. P.
Academic Journal of Modern Philology
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2019
|
vol. 8
51-56
EN
The entire text is just a small fraction of a much larger work (still not finished) describing an attempt at an analysis of narrative reports interpreting reality. It is a very brief overview of Jacek Hugo-Bader’s ( JHB) idiosyncratic ways of rendering reality into his excellent very much field-work based narratives. The author of the text is of the opinion that the true meaning of the communicated text changes not only with the style of the text; the understanding of the actual meaning is based upon the profound knowledge of the interpreted information. There is only one way to get to the core of the true meaning of the described reality, it is done by the method known as participant observation. JHB knows that very well, and that is why all his narrative reports are preceded by extended field works.
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Ekstremalne doświadczenia w ekstremalnej „wcieleniówce”. Długi film o miłości. Powrót na Broad Peak Jacka Hugo-Badera jako opowieść o niespełnieniu

88%
Dutka E.
Białostockie Studia Literaturoznawcze
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2017
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vol. 11
EN
The article offers a reading of Jacek Hugo-Bader’s controversial reportage Długi film o miłości. Powrót na Broad Peak (2014), which is frequently viewed as a story about the tragedy in Karakorum. The author of the article emphasizes that this piece may be also read in a more universal way as a reflection about non-fulfilment. She analyses the literary representations of multidimensional spatial experiences in the highest mountains such as sensual responses to extreme altitude and temperature, the life-and-death threshold experience as well as the spiritual relationship with the mountains. She also remarks other literary aspects of Hugo-Bader’s work, for instance the extreme “embodiment” reportage of Gonzo style.
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