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Transfictions et problématique du sens. Le cas d’Echenoz

100%
Maziarczyk A.
Academic Journal of Modern Philology
|
2020
|
vol. 9
331-338
EN
Un an and Je m’en vais by Jean Echenoz, two seemingly independent novels, constitute in fact an instance of transfiction, or rather a novelistic diptych, subtly embedded in the common fictional universe by means of various textual elements such as characters, setting and diegetic analogies. Its aim is not only the unusual extension and expansion of the original fiction, based on ambiguous narration, full of understatements and contradictions, which suggests rather than tells a story in a classic way. Both texts show many extended thematic similarities, which further emphasize their structural complementarity and give it a deeper meaning. Referring to selected theories of transfiction, this article explores the way in which Echenoz plays with the conventions of serial literature and uses them to show in two versions the vicissitudes of human affairs.
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14 Jeana Echenoza: war novel and pathos

99%
Faria D.
Lublin Studies in Modern Languages and Literature
|
2015
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vol. 39
|
issue 1
DE
Der Band enthält die Abstracts ausschließlich in englischer Sprache
EN
14 is a recently published novel by a French contemporary writer, Jean Echenoz. Having the First World War as its core subject, the text covers the main traditional themes of war novels. Its interest, however, does not lie in what it says about the war, but rather in how the war is told. In fact, 14 points out the main horrors of the war, without engaging in pathos. In order to do so, Echenoz resorts to two groups of techniques, whose main purpose is to lighten the dramatic effect of the war scenes depicted. Surprisingly, the result is a text which recounts the crude horrors of war.
FR
Le numéro contient uniquement les résumés en anglais.
PL
Tom zawiera abstrakty tylko w języku angielskim.
RU
Том не содержит аннотаций на английской языке.
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