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The omnipresence of the sea in the writing of Jean Muno

100%
Moreels I.
Lublin Studies in Modern Languages and Literature
|
2018
|
vol. 42
|
issue 3
DE
Der Artikel enthält keine Abstracts in deutscher Sprache.
EN
The aim of this paper is to explore the specific and symbolic role of the sea in the whole work of Jean Muno (1924-1988), not only in his fantastic narratives. By including in this study some unknown but significant texts of this French-speaking Belgian writer, we will examine the reasons for the recurrence of the maritime landscape. We will highlight the strong links between the fictional creations of the author and his experience on different coasts - especially of the North Sea littoral - during his stays in holiday resorts (illustrated in the photos).
FR
L'objectif de cet article consistera à analyser la présence et le rôle spécifique de la mer dans l’ensemble de l’œuvre de l’écrivain belge francophone Jean Muno (1924-1988), sans nous limiter au pan de ses récits fantastiques et en incluant dans notre étude des textes méconnus pourtant significatifs de sa trajectoire.Après l'introduction, notre contribution s'articulera en trois parties, consacrées respectivement au bord de mer comme villégiature créatrice pour J. Muno, à l'ancrage diégétique maritime de ses fictions et à la symbolique de la mer qui y apparaît, en tant qu'horizon de liberté, et ce, avant de conclure notre réflexion.
RU
Том не содержит аннотаций на русском языке.
2
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Le paradigme de l’absence dans l’œuvre de Jean Muno

84%
Bizek-Tatara R.
Quêtes littéraires
|
2011
|
issue 1
87-100
EN
In the works of Jean Muno the absenteeism theme has got diffrent features and forms. Escape from grey and sad reality to world of imagination is the best way to deal with mental and physical absenteeism: weary figure is looking for loneliness away from his everyday reality. He wants to dream and reflect in peace and quite. The absence has been showed as a lack, also has been presented in the perspective of ontological. Characters created by J. Muno have personality problems cause by time reality and society. Society determined who character should become. All efforts being yourself ends failure. Muno in his works presents french speakers Belgians, called la belgitude. Heroes of Muno have problem with find them national identity, they suffer because of double culture. They are able to accept and take advantage of this situation.
3

Le thème du double dans L’histoire exécrable d’un héros brabançon de Jean Muno

83%
Bizek-Tatara R.
Romanica Wratislaviensia
|
2013
|
vol. 60
141 - 148
EN
The theme of duality, omnipresent in the writing of Jean Muno, is particularly discussed in the novel L’histoire exécrable d’un héros brabançon. The duality has various features and appears in various layers, beginning with the composition of characters, spatio-temporal dimension, narration and the language. This theme is inseparably connected with the recurrent motive of absence of personal and national identity (la belgitude).
4
Content available remote

Jean Muno, témoin de son temps

83%
Bizek-Tatara R.
Studia Romanica Posnaniensia
|
2012
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vol. 39
|
issue 1
49-57
EN
Jean Muno is the writer who does not introduce History into his fiction until his penultimate work – "L’histoire exécrable d’un héros brabançon" (1982). The autobiographical novel shows, very often in a humoristic or even ironical way, the most important events of the years 1925 – 1981: World War I, the Prague Spring, the May of ‘96 and the Belgian language and identity issues. Muno gives up the humorous tone only when he writes about the Belgian unitary problem and he does it in an oblique way by introducing the secondary character of Madame Eendracht – an evident personification of Belgium. Her appearance indicates significant stages of the country’s historical evolution and allows the reader to track the institutional changes of the 1920s till the reform in 1980, which puts an end to the unitary state and makes Belgium a multiethnic and multilingual federal country.
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