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L’oralitat com a origen de la narrativa de Jesús Moncada

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Garcia Fuster A.
Estudios Hispánicos
|
2019
|
vol. 27
117-128
EN
Jesús Moncada’s narrative presents an oral substrate in the form of rumours, gossip, grudges or disputes that take place in the little village of Mequinensa, where everyone knows each other. Following the theories of Eric Havelock, Paul Zumthor, and Walter J. Ong, which identify in orality the source of any literary expression, we analyse the evolution of Maquinensan loud secrets and hidden truths into stories and how the skilful writer is able to turn simple anecdotes into great narrative plots. In this paper, several examples from short stories and novels are analysed, and the differences in the role of orality in each genre are described and examined. Furthermore, the role of casual conversation as an oral start-point of Moncada’s stories is highlighted.
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Memoria histórica y efecto fantástico en la narrativa breve de Jesús Moncada

98%
Gregori A.
Studia Romanica Posnaniensia
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2017
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vol. 44
|
issue 1
37-50
EN
The main aim of this article is to analyse the complexity of the subject of memory in the work of Jesus Moncada, as an author from Aragon writing in Catalan and introducing the Spanish Civil War issue in fantastic fiction, namely in Històries de la mà esquerra [Stories of the Left Hand] (1981). Furthermore, the short story that closes the book, “D’uns vells papers de música” [Old Sheet Music], is discussed to illustrate that matter in the context of the conflict between the real and the fantastic, on the one hand, and between history and memory, on the other hand. Thus, in the mentioned narrative fiction collective memory stands as a specter whose condition is noticed by its anachronistic return under grotesque forms, resulting from the horror facing death or the unreal, and from the irony interwoven by the narrator. In doing so Moncada problematizes any attempt to reconstruct historical memory based on literature.
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