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EN
The concept of „supposition" has already been brought in by the scholastics (suppositio) for describing different relations between objects and names, which refer to these objects. In the XX century, the problem of supposition, understood som ew hat different than by the scholastics, was taken up by A. Meinong. His intention was taking notice of judgment existence, which does not express even the involvement of belief. Such a concept of supposition has been taken up and developed by many Polish philosophers (inter alia W. Witwicki, T. Czeżowski, K. Pasenkiewicz, K. Ajdukiewicz, H. Mehlberg, B. Gawęcki, and L. Kołakowski). They emphasized both subjective aspect - lack of belief moment, and objective aspect - non-verifiability.
Polonia Journal
|
2020
|
issue 11
123-149
EN
One of the basic problems of the Polish culture was – and still is – the answer to the question concerning the place of Poland in Europe and in the world. It is connected with the specificity of the Polish history. What is of special significance, it is the fact that on the threshold of the modern times, Polish and European paths diverged. The shape of modernity was determined by the thought of Descartes, Th. Hobbes and J. Locke. Its starting point is an autonomous and independent individual, taking an economic activity . In the archetype of the Polish culture it is different. This is “Polish dance” (J. Lelewel). And this state of affairs was explicitly criticized by S. Brzozowski and S. I. Witkiewicz. W. Gombrowicz sees it as a chance to take an original place in European culture. Y. Haenel defines the archetype of Polish culture as “the eternal sensivity”.
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