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1

Polski emigracyjny ruch wydawniczo-księgarski w Lipsku w latach 1830–1918

100%

Łukomska-Kryger A.

Biblioteka

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2013

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issue 17(26)

119-137

EN

This article attempts to summarize and systematize available data on Polish emigre publishing, printing and book trade in Leipzig. The chronological span covers the years 1830–1918, i.e., shortly before the outbreak of the November insurrection, the following years of the emigration of political elites from Poland (the socalled Great Emigration) until the times when Poland regained its independence in 1918.

2

Humanistická bohemika v rukopisných sbírkách v Drážďanech a Lipsku

87%

Vaculínová M.

Střed. Časopis pro mezioborová studia Střední Evropy 19. a 20. století. / Centre. Journal for Interdisciplinary Studies of Central Europe in the 19th and 20th Centuries.

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2020

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vol. 50

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issue 1

7-24

EN

The article describes Humanist Bohemica in two significant collections of manuscripts – in the Universitätsbibliothek in Leipzig and the Sächsische Landesbibliothek, Staats- und Universitätsbibliothek in Dresden. The two manuscript collections contain similar types of Bohemica. One can clearly distinguish two groups of manuscript material: translations of legal and historical writings from Czech into German, made for practical use, and manuscripts related to exiles from the Czech lands after the Battle of White Mountain, their lives in exile and literary activities. Concerning individual items outside these groups, it is worth mentioning the medical treatise by Laurentius Span of Spanov, previously unknown copies of poems by Bohuslaus of Lobkowicz and Hassenstein, and especially the poems by Ioannes Dubravius on the pictures in the collection of the bishop of Wrocław Stanislaw Thurzó.

3

Görres-Schule in Leipzig während des II. Weltkrieges im Lichte der Bestände des Diözesanarchivs zu Bautzen

82%

Prokop A. R.

Wrocławski Przegląd Teologiczny

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2022

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vol. 30

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issue 2

217-229

PL

Na początku XX wieku szkoła Görresa w Lipsku była w katolickim krajobrazie Niemiec swego rodzaju znakiem czasów. Pod względem zakresu oferty, jak i liczby słuchaczy można ją zaliczyć do największych instytucji katolickiej edukacji dorosłych w tamtych czasach. Jest to o tyle niezwykłe, że Lipsk już wtedy znajdował się w środku obszaru diaspory, należąc do nowo powstałej (1921), niezasobnej finansowo i skromnej strukturalnie diecezji miśnieńskiej. W 1935 roku kierownictwo nad tym dziełem objął późniejszy biskup Otto Spülbeck. W niniejszym opracowaniu podjęto próbę przedstawienia tego niezwykłego zjawiska na podstawie zbiorów zachowanych w Archiwum Diecezjalnym Dreźnieńsko-Miśnieńskiej Kurii Biskupiej. Materiały archiwalne pozwalają na głębszy wgląd w wydarzenia począwszy dopiero od 1941 roku. Rozważania dotyczące form działalności szkoły i coraz większego wpływu, jaki wywierała na nią wojna, zostały uzupełnione o kontekst duszpasterstwa dorosłych w diecezji oraz o krótką charakterystykę osobowości prowadzącego.

EN

Görres School in Leipzig was a specific sign of the times in the early 20th century on the Catholic map of Germany. In terms of its vast offering and number of students, it was among the largest forms of Catholic adult education in existence at the time. This is especially noteworthy, as Leipzig was already in the Catholic diaspora at that time and belonged to the newly-established (1921) financially and structurally modest Meissen diocese. In 1935 the later Bishop Otto Spülbeck took over the custody of it. This article aims to present this distinctive phenomenon on the basis of the resources preserved in the diocesan archives of the Dresden-Meissen diocese. The files allow for a more accurate analyses of organizational developments only from 1941 onwards. The presentation of the forms of activity and their increasing limitations due to warfare is complemented by the context of adult ministry in the diocese and a brief presentation of the person heading the work.

DE

Die Görres-Schule zu Leipzig war ein Zeichen der Zeit des frühen XX. Jahrhunderts in der katholischen Landschaft Deutschlands. An der Breite der Angebote, wie auch Anzahl von Zuhörern durfte man sie zu den größten Erscheinungsformen der katholischen Erwachsenenbildung ihrer Zeit zählen. Es ist bemerkenswert, weil Leipzig sich schon damals inmitten des Diasporagebietes befand, zu dem neugegründeten (1921), finanziell und strukturell eher bescheidenen Bistum Meißen gehörend. Im Jahre 1935 übernahm der spätere Bischof Otto Spülbeck die Leitung dieses Werkes. Die vorliegende Abhandlung versucht dieses herausragende Phänomen aufgrund des im Diözesanarchiv des Bistums Dresden-Meißens erhaltenen Bestandes darzustellen. Die Archivalien erlauben einen tieferen Einblick in die Vorgänge erst ab dem Jahr 1941. Die Ausführungen über die Aktivitätsformen und ihre immer stärkere Beeinflussung durch den Krieg wurden um den Kontext der Erwachsenenseelsorge in der Diözese und kurze Schilderung der Leiterpersönlichkeit ergänzt.

4

Booksellers’ networks between the German and Hungarian book markets in the late 18th century

73%

Bulková P.

Human Affairs

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2013

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vol. 23

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issue 3

359-372

EN

In the study the author focuses on various aspects of bookselling in the late 18th century. The author seeks to describe the book market environment and the booksellers’ community in Bratislava at that time. She therefore documents communication channels between booksellers in Bratislava and their colleagues in Germany (mainly in Leipzig, Halle, and Berlin).

5

Kultury powojenne. Sztuka i komunizm w Krakowie i Lipsku

58%

Kunakhovich K.

Pamięć i Sprawiedliwość

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2015

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issue 1(25)

163-184

EN

Postwar Cultures: Art and Communism in Krakow and Leipzig On the morning of January 19, 1945, Dr. Bolesław Drobner arrived as the first representative of Poland’ s postwar government, charged with a special mission: to resurrect the city’ s arts scene and build a new, democratic culture. Six months later a music teacher named Rudolf Hartig took up his new post in Leipzig’ s bullet-riddled City Hall. Hartig was a lifelong communist who took over the city’ s Culture Department after the Nazi collapse. Drobner and Hartig became local agents in a transnational project that spanned Eastern Europe: the search for a distinctive socialist culture. This paper investigates what they did at the city level in the first half-decade after World War II. For the East European regimes that came to power after WWII, culture was not a form of entertainment but a tool of governance. Both Drobner and Hartig viewed art as a foundation of the postwar order, capable of bridging social divisions, eradicating fascist residues, and promoting a Marxist worldview. At the same time, the two officials could not simply impose their vision from above: they also had to contend with Soviet advisors and local artists, two groups that had their own notions of what art should look like. The struggle for socialist culture thus reflected broader struggles over political and social control in Eastern Europe. This paper compares cultural reconstruction in Krakow and Leipzig, two of EasternEurope’s major cities. Looking at them side by side allows us to assess the role Soviet officials played in local affairs and to refine our notion of Sovietization. The postwar program of socialist culture was not just a Soviet imposition but rather had deep native roots. Lacking concrete models or instructions, both Drobner and Hartig relied on prewar conventions, national traditions, and even fascist practice. They pursued policies that seemed to uphold the status quo and therefore provoked little opposition – even from those who opposed leftist parties. Yet these policies also expanded the authority of the state, paving the way for a radical restructuring of the cultural sphere in the years 1949/50. It was widely accepted principles like democratization that enabled the Stalinization of Polish and German culture. The policies that Drobner and Hartig developed proved to have a lasting impact on the Soviet Bloc: they prepared the ground for the Stalinist system, but also preserved local traditions that reemerged when that system collapsed.

6

Bp Jerzy Mazur SVD jako promotor kultu bł. Marianny Biernackiej

58%

Szymczycha K.

Studia Ełckie

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2023

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vol. 25

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issue 4

435-450

EN

The article concerns Bishop Jerzy Mazur SVD, bishop of Ełk, in the aspect of promoting the cult of Blessed Marianna Biernacka. Against the background of the heritage of holiness of the Ełk diocese, it shows the essence and manifestations of the cult of Blessed Marianna both in Leipzig and in parishes in Poland and abroad. They concern relics, pilgrimages and publications about her. In addition, those aspects of Mariannaʼs life that indicate her holiness and patronage of individual people and communities (mothers-in-law, widows, seniors, married couples, those expecting children) were presented and discussed. The article also shows the activities of Bishop Mazur, which contributed to the promotion of the cult of Blessed Marianna.

PL

Artykuł dotyczy bp. Jerzego Mazura SVD, biskupa ełckiego, w aspekcie promowania kultu bł. Marianny Biernackiej. Na tle dziedzictwa świętości diecezji ełckiej została w nim ukazana istota oraz przejawy kultu bł. Marianny zarówno w Lipsku, jak i w parafiach w Polsce oraz za granicą. Dotyczą one relikwii, pielgrzymek i publikacji na jej temat. Ponadto zostały przybliżone i omówione te aspekty życia Marianny, które wskazują na jej świętość oraz patronowanie poszczególnym osobom i społecznościom (teściowe, wdowy, seniorzy, małżeństwa, oczekujący potomstwa). Artykuł ukazuje także działania biskupa Mazura, które przyczyniły się do promocji kultu bł. Marianny.

7

Veřejný život, počátky dělnického hnutí a Gutenbergovi mladí ve třech stávkách: Lipsko 1865, Praha 1869, Vídeň 1870

51%

Raška J.

Moderní dějiny: sborník k dějinám 19. a 20. století (Modern History: Studies into 19th and 20th century history)

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2020

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vol. 28

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issue 2

41-84

EN

The paper examines the circumstances of three strikes of typographers (i.e. printers, typesetters and type founders) that took place at the beginning of the organised labour movement. Following strikes were studied: in Leipzig in the spring of 1865, in Prague in the summer of 1869, and in Vienna at the end of the winter of 1870. The first part of the study deals with the specifics of typographers who, as the elite and elitist labour aristocracy, stood in-between the social worlds of the forming group of factory workers and the middle-class intellectuals. The second part observes the strategies and agency of individual participants during these three strikes. The final part of the study is devoted to the specific features of women’s work in the book printing industry and to the sharp responses of striking workers to attempts by certain printwork owners to begin teaching women the art of typesetting.

Refine search results

1 Biblioteka

1 Human Affairs

1 Moderní dějiny: sborník k dějinám 19. a 20. století (Modern History: Studies into 19th and 20th century history)

1 Pamięć i Sprawiedliwość

1 Studia Ełckie

1 Střed. Časopis pro mezioborová studia Střední Evropy 19. a 20. století. / Centre. Journal for Interdisciplinary Studies of Central Europe in the 19th and 20th Centuries.

1 Wrocławski Przegląd Teologiczny

1 Bulková P.

1 Kunakhovich K.

1 Prokop A. R.

1 Raška J.

1 Szymczycha K.

1 Vaculínová M.

1 Łukomska-Kryger A.

1 2023

1 2022

2 2020

1 2015