Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 7

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Medea
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
EN
The myth of Medea and the Argonauts’ voyage to the faraway Colchis in search of the Golden Fleece belongs to the earliest legends of ancient Greece. The narrative elements of the tale would change over time. For almost thirteen centuries, from Homer to the late-antique poem Argonautica Orphica, which yet again retold the heroes’ expedition to Colchis, the legend of the Colchian sorceress and the fifty brave men fascinated ancient poets, historians and tragedians. Hence the paper focuses on the Greek literary sources which conveyed the tale. A detailed discussion of the works aims to highlight the diversity and multiplicity of the myth’s versions as well as outlines the evolution of the legend, whose most celebrated and recognized literary variant is found in Argonautica by Apollonius Rhodius.
EN
The subject of the article concerns the issues of ancient Greek myth, its modifications and functions. The starting point for a such formulated problem is the Aristotle’s rules to which a myth is subject. The philosopher links these rules with the theory of tragedy’s poetics, that should be directed by probability. Following the standards, that were in force in Antiquity, a function, which had to be fulfilled by a myth, determined the way of using mythology by Greek dramatists. The modern culture reinterpret a Greek myth. A function, which a myth has to fulfil, as in ancient times, is its basis and determinant. The task of a myth is, first of all, indicated as an universalization of the values, that are inscribed in this myth.
3
100%
LA
Materia dissertationis nostrae sunt fabulae et opera sriptorum Gracorum ante Euripidem, quae ad personam Medeam perinent. Implicandum fabulas cum rebus gestis nationis Minyadum, qui Argonautae putantur, signatur. Primum tamen mutatio aspectus Medeas in litteris Graecis notatur.
EN
Using biographical method, the author carries out research on the phenomenon of cultural education in a culturally diverse environment located in the Polish-Lithuanian borderland. In the present article the subject of observation and analyses have become the activities performed/conducted by socio-cultural animators affiliated with Ośrodek “Pogranicze – sztuk, kultur, narodów” in Sejny, who operate among adults. The author investigated a project that has been implemented for several years, which researches the myth of Medea as instrumental in tackling the issue of difficult memory, the latter to be utilised in building good neighbourly relations in multicultural environment.
EN
The monastery near today’s Kıyıköy settlement on the Black Sea coast is a very interesting rock-cut complex. It probably inherited an ancient sanctuary near the ancient Thracian and Roman city of Salmydessos, which became an important Christian center in the vicinity of Constantinople. In this text, we briefly review the historical information about the city, then describe the monastery, because there has been only one scientific publication since 1970 and the monastery is very difficult to access. We apply the three plans of the monastery that have been published since the 19th century to trace the change in the condition of the rock and the rooms that have been added. Then we analyze the architectural program and types of decoration of the three-nave basilica and the sacred spring, which have no exact analogue and are comparable both to examples from antiquity and to the best temples in the Byzantine capital. Based on this analysis, we assume three construction periods – ancient, from the time of Justinian and from the end of the iconoclastic period after the destruction of the city by the Bulgarian Khan Krum.
EN
The two parts of the article analyse the possibilities of a functional interpretation, in terms of the theme-rheme devision, of ancient texts. The author discusses examples from Classical Greek and Latin as well as New Testament Greek, especially their word order, grammatical and lexical features. On this basis he proposes an analytical approach to the description of the linguistic values connected on some degree with the communicative structure of these examples. The contextual procedures of indicating markers of thematic or rhematic elements of the sentences in question should be compared with conclusions drawing on the grammatical and semantic observations on the sentence constituents. The determination of theme and rheme exponents must be made - depending on the language - by verifying the means of coding information structure, relevant to the given language, text type, and time of its composition. A complete description of these means should be proceeded by detailed investigation of, for example, in the case of Ancient Greek: standard and contrastive word order, initial positions of utterances (including semantic descriptions of items involved in these positions), functions of the particles, conjunctions, articles, adverbs, personal pronouns, anaphors et al., syntactic and semantic roles of the constituents, etc. The second part of this article considers information status and value of Greek prolepsis. The author distinguishes morphological, syntactic and lexical prolepsis. The las two types are discussed using examples from Medea by Eurypides and the Gospel of St. John. The first example represents syntactic prolepsis, the second one - lexical. Neither the pronoun ἡμᾶς 'we' from Medea, nor the noun φοινίκων 'palm branches' from St. John's Gospel are thematic as claimed by some researches. Both syntactic and lexical prolepsis are components of a different level of utterances than the material one. The author postulates to consider them as rhematic rather than thematic. Prolepsis functions like quotation which comments on the whole utterance.
PL
A tripartite approach is proposed in order to get hold of the complex phenomenon of trust and perfidy in classical literature. In a first part two cases of political treason are discussed: the most prominent victim of treason, Julius Caesar, who was very much surprised when he saw Brutus among his assassins, and the greatest traitor in antiquity ever, Alcibiades. Protean perfidy, however, is a gender-crossing issue, and a second part is dedicated to literary figures, in particular to women. Aeschylus’ Clytemnestra is an outstanding example of a perfidious character. Finally, a third part is concerned with words, for πίστις and fides have attracted the attention of classical scholars and structural linguists alike. At the beginning, however, Hamlet is introduced, an expert both in trust and perfidy as well as in classical literature.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.