Search results

1

Marcin Napiórkowski, Powstanie umarłych. Historia pamięci 1944-2014, Wydawnictwo Krytyki Politycznej, Warszawa 2016, pp. 472

100%

Bernardini L.

pl.it / rassegna italiana di argomenti polacchi

|

2017

|

issue 8

229-233

2

The Structures of Memory. The images of space-time in Andrzej Munk’s film "Passenger"

51%

Kwiatkowska P.

Kwartalnik Filmowy

|

2013

|

issue Special Issue - Polish Film Scholars on Polish Cinema

6-30

EN

"Passenger" was the last and uncompleted film by Andrzej Munk who died tragically in 1961. The film was finished by Munk’s friends and collaborators on the basis of the footage left by the director. It is known that Munk was not fully satisfied with all the material and planned to introduce some changes. The film combines in an unusual way two forms of "records of memory" – photography and film. In a very interesting argument Kwiatkowska juxtaposes and interprets various spaces of remembrance that can be found in the movie.

3

Conference Report

51%

Zalewska K.

Acta Asiatica Varsoviensia

|

2016

|

issue 29

203-206

EN

Memory in Poland of the Rescuers and the Rescued from the Holocaust. On the 30th Anniversary of Granting the Title of the Righteous Among The Nations to Sugihara Chiune, Japanese Consul in Lithuania.

4

The ebbs and flows of the Holocaust and the Gulag memory in EU-rope. Memory dynamics in national and transnational contexts

44%

Zessin-Jurek L.

Studia nad Autorytaryzmem i Totalitaryzmem

|

2018

|

vol. 40

|

issue 3

87-103

EN

In spring 2017 the long-awaited House of European History in Brussels was opened. Its exhibition tries to tackle not only the tumultuous history of 20th-century Europe, but also the diverse cultures of memory that surround this topic. The article touches upon the problem of co-existence and mutual relationship of the two important, if not the most crucial, topics on the European mnemonic map: that of the Holocaust and that of the Gulag. The uneven and changeable development of these memory cultures has been presented in the historical perspective and analysed through the way they have functioned at the national (with Poland and Germany as examples) and transnational (EU) levels. The concluding statement encapsulates the thesis that the EU-ropean memory confl ict in its original phase, centred around Brussels, achieved its climax some years ago. Nowadays the problems of history and memory are administered mostly within the regional and, even more, national public spheres. As the focal point of European dispute, on the other hand, new — seemingly beyond historical — topics emerged. Among them is the cultural problem sparked by the mass infl ux of immigrants to Europe.

5

“The Sacrificed Army” – the Hungarian 2nd Army between memory and history

44%

Fóris Á.

Міжнародні зв’язки України: наукові пошуки і знахідки

|

2021

|

issue 30

304-324

EN

The fate of the Hungarian 2nd Army has a significant role in the Hungarian memory. The army was sent to the Eastern Front in 1942 suffered one of the great defeats of the Hungarian military history during the Soviet counter-offensive in January 1943. During the past almost 80 years, different narratives have emerged about it were evolved in the Hungarian public. In the paper the author shall analyse the most significant elements of these narratives. Firstly, there will be examined the genesis and underlying causes of the decision to send the 2nd Army to the Eastern front. The author counter a popular post-war myth that the Hungarian leadership sent out the Hungarian soldiers and labour servicemen with the intention of sacrifice that it could limit Hungary's involvement in the German war effort. Although the Hungarian military leadership discriminated against various social groups (primarily of individuals of Jewish descent, non-Hungarian nationalities) in military service, they did not aim to destroy them. Similarly, the higher proportion of reserve officers and lower social classes (peasantry, workpeople) in the army was misinterpreted. In the second part of the paper the author will examine the interpretations of the defeat in January 1943. As a part of this topic there will be shown how the public opinion and survivors overstated the loss data and the temperature conditions of “the Russian winter.” In addition, the author scrutinize the fighting and withdrawal in January 1943 from the viewpoint of the military discipline. Finally, he analyse the interpretations of two orders. The army commander, Colonel General Jány wrote in his order on 24 January that “the 2nd Army has lost its honour.” Although later he withdrew this order, it became the symbol of the barbarity and betrayal of the Hungarian military elite against the Hungarian soldiers. It received a different opinion on the order of the commander of the III Corps of 1 February 1943, in which Major General Stomm disbanded his formation - which was unprecedented in Hungarian history.

6

William Cecil a jemu přisuzované politické role v britských pramenech raného novověku

44%

Beneš M.

Acta historica Neosoliensia Vedecký časopis pre historické vedy

|

2018

|

vol. 21

|

issue 2

128-150

EN

William Cecil, 1st baron of Burghley was the closest advisor of English queen Elizabeth I. from house of Tudor. However, this is not only role of William Cecil at the Elizabethan court and it is not the only role, which we can identify with analysis of British early modern age primary sources. How did the British early modern age primary sources depict first Baron of Burghley and saved his legacy for the next generation? The answer for this question is the purpose of this research.

7

Kolektivní paměť násilně vystěhovaných obyvatel: Vzpomínková vyprávění o 2. světové válce z Neveklovska

44%

Štěpánková-Komendová J.

Studia Ethnologica Pragensia

|

2015

|

issue 2

110-127

EN

This essay is the benefit to studying of the questions of the oral history of forcibly ejected inhabitants of Neveklov and its neighbourhoods during the 2nd World War, focused on events of the massacre in the village Křešice (Event Graun) at the end of the 2nd World War. About this region, there exists authentic testimony and this territory is fixed in the collective memory. The oral history is a highly valued literary source. Its value is in the authenticity, which is characterized by selectivity and represents another point of view. The essay brings the unique opportunity to get acquainted with witnesses of the wartime. At present this testimony is unknown or is being forgotten in the offical documents. The essay follows the researches of Jaromír Jech from the middle of the last century. So we get the view of the importance of the massacre in Křešice and forcible displacement of Czech inhabitants in a demarcated region. Result of this work is the analysis of the results obtained with the help of the modern approaches that are based on the method of the oral history, which is a part of the qualitative research, with an emphasis on general objectives and context. It also simultaneously maps over the current state, i.e. the reflection of the forcible war persecution on the present times and its viability in the future, functionality of the generation transfers and traumas.

8

Simonian Writing According to Mireille Calle-Gruber

44%

Yilancioglu S. S.

Human and Social Studies

|

2014

|

vol. 3

|

issue 3

59-66

EN

Mireille Calle-Gruber is not only a university professor and a writer, but also a leading scholar and critic of French literature and contemporary Francophone literature. Her works on Michel Butor, Claude Simon, Assia Djebar, Derrida and other contemporary writers (as well as those dealing with the history of the twentieth century literature) fill gaps in the contemporary literary history of the twentieth century. Her books not only scrutinize and analyze the writing of Claude Simon; they also shed new light on the analysis of the novel and autobiography in contemporary literature, through the memory of experience and perception

9

Terénny výskum obsahov kolektívnej pamäte a hermeneutická analýza dát

44%

Murin I.

Studia Ethnologica Pragensia

|

2015

|

issue 2

140-151

EN

The term collective in Central European science tradition was impacted by distinctive indoctrinate but in terminology stable term meaning as f.e. collective memory. In the field research is evidence collective memory contents by interdisciplinary research theme. The article communicates an field returnable stationary research results (2008–2012) by author and students of the Faculty of Humanities, Charles University in Prague. This results are systematized by ATLAS.ti and hermeneutically analysed. Findings besides collective memory contents evidence direct to uncover relations which put link for sujet invariants and mental representations. Author exemplified contexts in which come about memory contents stabilisation in reserch locality as well frequent situations where group interpretation of socio-culture normatives arised. For finding and data verification was appliqued visual ethnography method.

10

38%

Woodley F.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

|

2018

|

issue 9 "Memory, Melancholy and Nostalgia"

173-188

EN

This paper considers the ways in which contemporary painting of still life accepts the address of its tradition. Tradition is considered here as cultural memory reiterated and transformed over time. The means by which contemporary artists work with, and against, tradition are explored through ideas of reverie, play and material process. Melancholy is a characteristic of the genre of still life, one that crosses time, and is thus given particular attention in relation to traditional and contemporary still life. Whilst Part I is an exploration of the themes and issues described above, Part II (case studies) is an attempt to exemplify them through the work of three contemporary British painters: Alan Salisbury, Emma Bennett and G.L. Brierley of whom it can be said that they paint playfully melancholic paintings of still life.

17

Remembering and Forgetting as a Narrative Mode in W.G. Sebald’s “Austerlitz”

38%

Aslan E.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

|

2015

|

issue 4/2015 O Młodej Polsce mniej znanej

183-190

EN

The relationship between memory and literature is a complex and curious one. While memory implies a relation with the past, with the factual, literature’s realm is the fictional. They, nevertheless, implicate each other: while re-membering the past which is what is gone and not there anymore always entails mediation and a degree of fictionality, we can consider literary language as acting out psychic processes through metaphor, concealment and temporal dislocation. The novel that I deal with in this paper is Austerlitz by W.G. Sebald which recounts the story of a series of chance encounters between two travelers – the narrator and Austerlitz – in a time span of thirty years. As they traverse Europe, conceived in the text as a landscape in which cultural, natural and personal history intermingle, their paths converge several times and it is in their lengthy talks that Austerlitz’s traumatic past gradually emerges. Sent to England by his parents on a kindertransport just before the beginning of the Second World War and raised in Wales by foster parents, Austerlitz pursues a life unaware of his real identity. In this paper, focusing on the relationship of forgetting and remembering with storytelling, I explore how the mnemonic processes are represented in the text with an emphasis on the effect of the mechanisms of repression on the way the narrative is told.

18

„Biały klawisz, czarny, czarny, biały…” czyli jak rozwiązać muzyczne łamigłówki z przeszłości. Tego lata, w Zawrociu Hanny Kowalewskiej

32%

Krajewski P.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

|

2019

|

vol. 52

|

issue 1

231-248

EN

In Tego lata, w Zawrociu, Hanna Kowalewska presents a multi-layered story about the fate of the young heiress to the family fortune, called Matylda. This turns out to be an attempt to face the past, history and music that describe the mythical space of Zawrocie. The mysterious bond that combines music and nature complements the discovered puzzles of the past. Diary cards, old photographs are elements of the game which Matilda joins.

PL

Hanna Kowalewska w Tego lata, w Zawrociu prezentuje wielowątkową opowieść o losach młodej dziedziczki rodzinnej fortuny – Matyldy. Okazuje się to próbą zmierzenia się z przeszłością, historią, muzyką, które opisują mityczną przestrzeń Zawrocia. Tajemnicza więź łącząca muzykę i naturę stanowi uzupełnienie odkrywanych zagadek z przeszłości. Kartki pamiętnika, pożółkłe fotografie stanowią elementy gry, w którą włącza się Matylda.

19

Niepamięć i wynikające z niej implikacje dla pedagogów społecznych

32%

Danilewicz W.

Pedagogika Społeczna

|

2017 (R. XVI)

|

issue 4(66)

103-115

PL

Niepamięć to „społecznie znacząca luka w pamięci zbiorowej, dotycząca postaci i faktów o istotnym znaczeniu dla zbiorowości, co odróżnia ją od naturalnego procesu zapominania, który nie powoduje uszczerbku dla teraźniejszości czy przyszłej kultury lub tożsamości” (Kwiatkowski 2009, s. 144). Wybór podjętej problematyki wynika z potrzeby podjęcia przez pedagogów społecznych rozważań i działań dotyczących niektórych, aktualnych, negatywnych zjawisk społecznych w Polsce. Podejmuję zagadnienia dotyczące migracyjnej przeszłości Polaków oraz ich aktualnego przebiegu. Podaję też wybrane przykłady wielowiekowej, polskiej wspólnoty wielokulturowej, której spuściznę można dostrzec w każdej przestrzeni życia w kraju. Przykłady te są tłem do dalszych rozważań, które odnoszą się do zjawiska ich niedostrzegania, lekceważenia, niepamiętania, które zauważam w publicznej debacie i w codziennych, coraz bardziej wyraźnych działaniach niektórych osób i grup w Polsce.

EN

Non-memory is a socially meaningful gap in the collective memory of a society which concerns people and facts that are relevant for the community. It differs from a natural process of forgetting as the latter one does not cause any detriment for present or future culture or identity. The choice of the subject arises from the necessity for social pedagogues to discuss and act on some negative social phenomena currently appearing in Poland. In the following paper I address the issue of past and present migrations of Polish citizens. I, additionally, provide selected examples of centuries-old multicultural community of Poles whose legacy can be observed in every sector of life. The aforementioned examples serve as a background for further analysis, which focuses on the occurrence of non-recognition, inattentiveness, non-memory that I acknowledge in public debates as well as in everyday actions of certain groups and individuals in Poland.

20

The Shoah in Contemporary Polish Fiction (after 1989)

32%

Żurek S. J.

pl.it / rassegna italiana di argomenti polacchi

|

2016

|

issue 7

187-195

EN

This article takes a look at contemporary Polish prose dealing with theme of the Shoah. “Contemporary”, in this case, means fiction published in the 1990s and after the year 2000, thus already in the twenty-first century. It therefore comprises the last twenty-five years. The fundamental categories used here in the analyses of texts, are the memory and post-memory of the Shoah. The authors who have published works over the last twenty five years have either been witnesses of these events (i.e. Children of the Holocaust), or – more often – representatives of the second or third generation after the Shoah. In this article, contemporary Polish fiction will be exemplified by the prose of Marek Bieńczyk, Piotr Szewc, Igor Ostachowicz, Mariusz Sieniewicz and Piotr Paziński. Analysis contains four categories which structure both the world represented and the form of the prose: transgression, pop-culture, history and metonymy.

Refine search results

Marcin Napiórkowski, Powstanie umarłych. Historia pamięci 1944-2014, Wydawnictwo Krytyki Politycznej, Warszawa 2016, pp. 472

The Structures of Memory. The images of space-time in Andrzej Munk’s film "Passenger"

Conference Report

The ebbs and flows of the Holocaust and the Gulag memory in EU-rope. Memory dynamics in national and transnational contexts

“The Sacrificed Army” – the Hungarian 2nd Army between memory and history

William Cecil a jemu přisuzované politické role v britských pramenech raného novověku

Kolektivní paměť násilně vystěhovaných obyvatel: Vzpomínková vyprávění o 2. světové válce z Neveklovska

Simonian Writing According to Mireille Calle-Gruber

Terénny výskum obsahov kolektívnej pamäte a hermeneutická analýza dát

Alba Zaluar: A Posthumous Tribute

Contra el olvido: Todo lejos, de Alfons Cervera

Recuerdos, emoción, representación. Formas de la memoria de la represión en la España actual

La mémoire du Moyen Âge et Thomas Owen

Images to Remember: Nostalgia and Hegemonic Identities in Italia 90: The Movie

Vintilă Horia and Trans-Temporal Travel

The (Playfully) Melancholic Still Life of Contemporary Painting

Remembering and Forgetting as a Narrative Mode in W.G. Sebald’s “Austerlitz”

„Biały klawisz, czarny, czarny, biały…” czyli jak rozwiązać muzyczne łamigłówki z przeszłości. Tego lata, w Zawrociu Hanny Kowalewskiej

Niepamięć i wynikające z niej implikacje dla pedagogów społecznych

The Shoah in Contemporary Polish Fiction (after 1989)