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Aspects of the Recovery of Context and Performance in a historical Poetics and Pragmatics of Western South Slavic Ritual Folklore

100%
Plas P.
Etnolingwistyka. Problemy Języka i Kultury
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2006
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vol. 18
249-264
XX
Artykuł jest próbą określenia korzyści płynących z zastosowania interdyscyplinarnej metodologii wypracowanej przez etnolingwistykę i etnopoetykę dla określenia poetyckiego, magicznego i kulturowego funkcjonowania tradycyjnych rytualnych tekstów Słowian Bałkańskich. Ilustracją oferowanych możliwości jest zastosowanie niektórych pojęć i założeń do analizy dwóch przykładów należących do obszaru językowego Bośniaków, Chorwatów i Serbów. Analizy te zmierzają do ukazania różnych korelacji (indeksowych lub ikonicznych) między poetyką, stylizacją i strukturą tekstów o charakterze rytualnym a szerszym kontekstem socjokulturowym. Analizy prowadzą do wniosku, że ponieważ teksty te zawierają wiele elementów z rytualnego i socjokulturowego kontekstu, w jakim są wykonywane, badanie tradycyjnego folkloru rytualnego może być użyteczne dla precyzyjniejszego określenia historycznej i etnograficznej specyfiki danej kultury.
EN
The author examines some of the possible benefits of an integrated ethnolinguistic and ethnopoetic theoretical-methodological framework for a revaluation of the poetic, magical and cultural 'performativity' of Slavic and Balkan traditional ritual texts. He does so by applying a number of concepts and guidelines provided by this combined framework in a microanalysis of two sample cases from the Bosnian/Croatian/Serbian language area. The presented analyses focus on the various ways in which the poetic and figurative stylization and structuring of verbal-ritual texts correlates (indexically and iconically) with their meanings and functions within the performative (actional-ritual) and broader sociocultural context. As these texts can be seen to encode much of the ritual and sociocultural context of their performance, ethnopoetic micro-revaluations of this kind prove useful, by focusing on traditional ritual folklore, in enriched studies of historically and ethnographically situated 'cultures'.
2
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Performativnost a gramatické kategorie slovesa

100%
Hirschová M.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
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2012
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vol. 73
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issue 1
3-13
EN
The article deals with specific features pertaining to the verbal categories of person, mood (partially voice), tense and aspect in illocutionary verbs arising from the occurrence of mentioned verbs in performatively used utterances (in the basic form of the 1st person singular indicative, present tense imperfective). The notion of performativity is explained as a pragmatic value of an utterance, based on the accomplishment of a deed (act) denoted by the lexical meaning of a verbum dicendi while the core of the speech act performance consists of the coincidence of locution and illocution (in an Austinian sense). The essential prerequisite making the utterance suitable for performative use is deemed to lie in its temporal qualities, shown through Reichenbach’s tense deconstruction.
3

„PRASKANIE OBRAZU“ ALEBO POETIKA TRHLÍN (NA PRÍKLADE FESTIVÍT SUBKULTÚRNEJ PREZENCIE)

100%
Bílik R.
Slovenská literatúra (Slovak Literature)
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2019
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vol. 66
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issue 2
68 – 87
EN
The paper consists of two parts. In the first one the author focuses on obtaining methodological tools, which make it possible to oppose the rationalist modernist construct of history as „inevitable evolution“, where an individual human and his or her living uniqueness, the concept aimed at revealing and emphasizing living uniqueness of existence dissolve. What becomes the tool for the author is the „principle of authenticity“ formulated by Alessandro Ferrara and the effort to develop the „project of modernism“, which is presented by Miroslav Petříček. By employing the methodological apparatus, the other part of the paper is aimed at identifying poetics of presence (as modality of event poetics), which was used to „show“ activities of subcultures in the space of Czechoslovak culture after year 1948.
4

Między językami, między głosami. O „poems” Andrzeja Sosnowskiego

88%
Nofikow E.
Białostockie Studia Literaturoznawcze
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2012
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vol. 3
309-323
EN
The article analyses the pre-ultimate volume of poetry by Andrzej Sosnowski. In her analysis of Sosnowski's works the author employs the categories of polyphony, materiality and performativity. Sosnowski's poetry is read as a kind of performance or carnival show whose interpretative context is the poet's own "performeresque” practice.
5

PERFORMATÍVNA PAMÄŤ, ARCHÍV A FOTOGRAFIA. NIEKOĽKO POZNÁMOK K TVORBE LUCIE NIMCOVEJ

88%
Grúň D.
ARS
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2024
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vol. 57
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issue 1
67 - 77
EN
The central motif of the essay is a critical examination of the archival turn in contemporary art. Through the lens of the notions such as “performativity”, “memory”, and theories devoted to interpreting the archive, the text builds on authors who have explored this phenomenon in contemporary art. The main focus of this essay is on the expanded documentary practice by Lucia Nimcová, her works relocating and reactivating archival photographs, in which I detect emancipatory potential that could possibly inspire those methodologies in art history that deal with the socialist past in Central and Eastern Europe.
6

POETIKA V MNOŽNOM ČÍSLE (POZNÁMKY K NAJNOVŠEJ LITERATÚRE PREDMETU)

75%
Kazalarska Z.
Slovenská literatúra (Slovak Literature)
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2019
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vol. 66
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issue 2
103 - 113
EN
The paper deals with the latest literature concerning the concepts of poetics and event. The searches conducted by the author are based on Petrer Zajac´s conceptual reflexion on new poetics, which is understood by him as poetics of text and poetics of event. In recent German (and partly also Czech) publications Kazalarska is seeking impulses for further development of theoretical background which would make it possible to grasp interconnections between poetics of text and poetics of event and track the points of transition between them as well as their potential overlaps and entanglements. The first part of the paper shows the current use of the conceptual dimensions of poetics, which is related to both the process of developing literary science into a cultural science and the process of establishing the concept of performativity. A comparably big „boom“ can then be recognized in case of poetics of event, which has been closely examined by literary science lately. The other part of the paper is focused on the question asking to what extent it is possible to talk about „eventness“ on the level of a literary text. What becomes the centre of attention is the materiality of writing, which belongs to the newest fields of poetics and which fulfils its poetic potential exactly on the interface between poetics of text and poetics of event and oscillates between the two types of poetics. The subject of the final thought is the literary historical place and poetological significance of the materiality of writing within Slovak literature after 1945.
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