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Polskie przekłady ostatnich tomów cyklu powieściowego Marcela Prousta. Problemy ideologiczne lat czterdziestych i pięćdziesiątych XX wieku

100%
Jarmuszkiewicz A.
Pamiętnik Literacki
|
2017
|
vol. 108
|
issue 2
167-178
PL
Artykuł prezentuje polską recepcję dzieła Marcela Prousta (od negacji przez akceptację i w końcu afirmację) w latach 1950–1965. Zaczyna się od opisu nocy stalinizmu tępiącej kulturę burżuazyjną, której ikoną był „zgniłozachodni Proust” (chodzi m.in. szkice Jana Kotta). Dalej autorka artykułu przedstawia pełne dysonansów stanowisko Pawła Hertza oraz polskie tłumaczenia powieści Prousta i akceptację faktu, że Proust jest istotnym pisarzem dla literatury polskiej omawianego okresu.
EN
The article presents the Polish reception of Marcel Proust’s work (from negation through acceptance, and finally affirmation) in the years 1950–1965. It starts with a description of Stalinism night which combated bourgeois culture of which “rotten West’s Proust” (Jan Kott’s sketches, for example) was an icon. Later, the author shows Paweł Hertz’s stance abundant in dissonances and Polish translations of Proust’s novels as well as acceptance of the fact that Proust is a vital writer for Polish literature of that period.
2
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L’Italia di Paweł Hertz

75%
Płaszczewska O.
Poznańskie Studia Polonistyczne. Seria Literacka
|
2020
|
issue 39
61-80
PL
The article is an attempt at reconstructing the remarks by Paweł Hertz (essayist, poet, translator, writer and publisher) on Italy and its artistic legacy. A short presentation of the writer is followed by a discussion of his actual journeys in Italy based on the available autobiographical material. Next,there are reflections on Hertz’s interest in Italian literature and European texts about Italy (based on essays and editorial work). Treated as a separate issue is the view of Italian art through the prism of Polish artistic work (the spheres of associations, interference and references) in Hertz’s journalism. Other issues discussed in the article cover poems about Italy, their placeamong the writer’s works and the main threads and motifs. The article’s final notes focus on the observations on the value of Polish reception of Italian cultural legacy and its basic aspects that Hertz regularly emphasised at various stages of his creative life.
3
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Orbita oka. Melancholia wzroku w Sedanie Pawła Hertza i w Drewnianym koniu Kazimierza Brandysa

55%
Kozłowska I.
Przestrzenie Teorii
|
2020
|
issue 33
245-263
EN
The article concerns the way in which the eye topos functions in Paweł Hertz’s Sedan and Kazimierz Brandys’ The Wooden Horse, works representing Polish literature of retribution written in the 1940s. The role of the process of seeing is interpreted by means of the category of melancholy, and the protagonists in these works are presented as melancholics. Standing in front of a window or in the quiet of European museums, members of the intelligentsia do not so much focus on passive contemplation but rather protest against History. The desire to constantly use the eyes has an existential and political sense. Recognition of the phenomenon of a melancholic gaze in the literature of retribution enriches the traditional interpretation of this trend in literature by lending it a new context and allowing rehabilitation of the intellectuals portrayed in it.
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