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Profesorki w sejmach PRL. Przyczynek do badań subiektywnego poczucia sprawczości

100%
Chrobaczyńska-Plucińska E.
Annales Universitatis Paedagogicae Cracoviensis. Studia Politologica
|
2020
|
issue 24
108-124
EN
The aim of this paper is to point to the aspect of subjective sense of personal causative power amongst female professors who held their seats during the People’s Republic of Poland. In her research, the author seeks an answer to the question whether the female deputies distinguished by their double role had a sense of subjective causative power, analysing their personal reflection expressed on the subject in available sources. The research in a broader aspect contributes to the question whether women, especially those with a high professional and social status, playing political roles in the Real Socialist system had a real impact on changing the existing reality and whether their activity translated into specific normative decisions or solutions of a permanent nature.
2
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Pamięć o socjalizmie i zabytki socjalizmu. Ochrona zabytków PRL w Tychach

72%
Sugawara S.
Studia Krytyczne/ Critical Studies
|
2019
|
issue 8
158-168
PL
Celem artykułu jest zarysowanie zagadnienia pamięci o socjalizmie na przykładzie kwestii ochrony zabytków Polskiej Rzeczypospolitej Ludowej (PRL) w Tychach. Rozpoczyna się on od analizy „pragnienia muzeologicznego”, pojęcia ukutego przez Masahiro Ogino. Następnie zarysowuje się fazy przekształcenia przestrzeni publicznej w krajach postsocjalistycznych po roku 1989. Kolejne części tekstu skupiają się na Tychach, które były typowym „miastem socjalistycznym” i ich zmiennym wizerunku po przejściu do kapitalizmu. W ostatnim rozdziale autor ukazuje sposób ochrony dziedzictwa PRL na przykładach dwóch tyskich pomników.
EN
The aim of this article is to outline issue memory of socialism by a prism of the protection of the monuments from the age of People’s Republic Of Poland in the Tychy city. It starts with the analysis of the „museological desire”, a term coined by the Masahiro Ogino. Then it presents phases of the reshaping public space in post-socialist countries after 1989. Next parts of the article are focused on Tychy, which were typical „socialist city”, and its changing image after transition to capitalism. Last chapter is devoted to the protection of the PRL’s heritage – using examples of two monuments in Tychy.
3
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Poetka rewolucji Anna Świrszczyńska i socjalistyczny projekt równości kobiet

72%
Szopa K.
Śląskie Studia Polonistyczne
|
2018
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vol. 12
|
issue 2
59-79
EN
The text deals with the influence that women’s movements on the one hand and organizations operating in Poland after 1945 on the other hand had on the poetry of Anna Świrszczyńska. Contrary to the established narrative developed by interpreters of this poetry after 1989, the feminist sensitivity of Świrszczyńska was not an isolated and individual phenomenon, as it grew directly from activities undertaken by women and from women’s organizations in the People’s Republic of Poland as well as during the moral and cultural transformations. Reading Świrszczyńska’s poetry in the light of socialist emancipation projects allows us also to redefine the genealogy of Polish feminism.
4

W poszukiwaniu opus magnum. Jak oglądać Na srebrnym globie Andrzeja Żuławskiego?

58%
Pisarzewski Ł.
Kwartalnik Filmowy
|
2012
|
issue 77-78
212-222
EN
Andrzej Zulawski’s film On the Silver Globe, is a film adaptation of Moon trilogy by Jerzy Zulawski – a philosopher of decadence and the director’s paternal granduncle. The blockbuster filmed during the crisis years of People’s Republic of Poland (PRL) was halted by decidents. They expected the film to be an expression of the international fascination with the cosmos. Meanwhile it turned out, that the message of the trilogy, also called a decadent anti-utopia, exposed the post-industrial apathy of the declining socialist system. The director edited the present version of the film using surviving excerpts of the tapes. The film is a total metaphor or even a documentary of the fall of civilization myths, especially those grounded in the national discourse. The storyline is turned into a metaphor through the basic elements constituting the presented world: the four elements evoking archetypes and atavisms. Pisarzewski attempts to read them using the complexes distinguished by Gaston Bachelard. They change the anti-utopia into a fragment of a tragic vision of Polish history, which in Polish cinema was developed by Zulawski.
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