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La memoria de la violencia: las consecuencias del conflicto armado contra Sendero Luminoso representadas en una película y dos novelas peruanas

100%
Sagermann Bustinza L.
Studia Romanica Posnaniensia
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2014
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vol. 41
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issue 1
147-162
EN
The peculiar situation of violence experienced in Peru of the 1980s and the 1990s shows a society immersed in the trauma, suffering and pain. The literature as well as the film have become a means to reflect the painful experience of the society. The aim of this article is to analyse some of the main characters of the novels: 'La hora azul' (2005) by Alonso Cueto, 'Abril rojo' by Santiago Roncagliolo (2006), and the film: 'La teta asustada' (2009) by Patricia Llosa in order to show the effects of traumatic experiences of the past and an attempt to return to normal life.
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Most nad světem“ Lyrismus jako způsob transkulturace u J. M. Arguedase

67%
Kalkusová T.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2018
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vol. 57
147-154
EN
The paper aims to draw attention to the way of achieving transculturation in the novel Deep Rivers (Los ríos profundos) by the Peruvian author J. M. Arguedas. Apart from the linguistic and cultural layer of the novel, the article also brings light to the less studied layer of genre: lyricization, intrinsic to both the indigenous and the Spanish tradition, becomes a point of contact between the two cultures. The combination of oralization and lyricization of the text, together with the tendency to picture the mythical view of the universe gives the novel Deep Rivers many features of a lyricized prose.
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