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Poetik der Zwischenräume und Konstruktion der liminalen Bereiche in Peter Handkes "Der große Fall"

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Kazański D.
Colloquia Germanica Stetinensia
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2013
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issue 22
105-122
EN
The main aim of the article is an attempt to determine how P. Handke understands the space. Having started with the concept of spatial turn author refers to such precursors of spatial trends in culture and literature as M. Auge, M. Foucault and J. Lotman. Then the differences between the so-called topological and topographical turn are listed. Based on these considerations, the author proves the thesis that in the literary worlds of Handke a kind of the interstitial space can be seen. The analysis of one of his recent novel “Der Große Fall” shows in which categories one can speak of a transitional state of the space, what the liminal parts of the world presented are and what functions itself the interstitial space plays.
PL
Głównym celem niniejszego artykułu jest próba określenia, jak Peter Handke pojmuje przestrzeń. Wyszedłszy od pojęcia ‘spatial turn’ autor nawiązuje do takich prekursorów tendencji przestrzennych w kulturze i literaturze jak M. Augé, M. Foucault czy J. Lotman. Następnie zostały wyodrębnione różnice między tzw. ‘topological’ i ‘topographical turn’. W oparciu o te rozważania autor dowodzi tezy, iż w literackich światach Handkego daje się zaobserwować swoistą międzyprzestrzeń. Analiza jednej z jego nowszych powieści "Der Große Fall" pokazuje, w jakich kategoriach można mówić o pośrednim stanie przestrzeni, czym są liminalne elementy świata przedstawionego oraz jakie funkcje odgrywa sama międzyprzestrzeń.
2
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“denk an Pasolinis »verzweifelte Leere von Casarsa«” Considerations on the Influence of Spanish Mysticism and of Pasolini’s »Friulian« Poems on Peter Handke’s Noch einmal für Thukydides and Versuch über die Jukebox

100%
Pulimanti A.
Academic Journal of Modern Philology
|
2022
|
issue 15
267-277
EN
The aim of this paper is to reflect on Handke’s reception of Spanish and Friulian traditions. The first part of this paper will mention Miguel de Cervantes’, Teresa of Ávila’s and John of the Cross’ influence on Handke’s works, while also focusing on Handke’s fascination with the Spanish tradition and Pasolini’s works through the use of the comparative method. Pasolini’s vision of modern cultural customs is also taken into consideration in Handke’s Essay on the Jukebox, where clear references to Spanish authors also appear. The same occurs in Handke’s Glowworm Epopee, where Pasolini’s critical view of the “vanishing of the fireflies” indirectly shines throughout a tribute to the Poems in Casarsa. In the second section, an anthropological perspective will be employed, seeing as Handke’s ‘mysticism’ can be said to have drawn inspiration from the Romantic motif of “Mother Holle” (Höller 2013). In this regard, Ginzburg’s (1989) and Nardon’s (1999) studies will be used to assume Handke’s attachment to Friulian folk topics dating back to the 17th century. As opposed to Handke’s reception of Pasolini’s critical views and of Spanish mysticism, the influence of Friulian ethno-anthropological aspects on the Carinthian author’s works still needs to be demonstrated and its study improved.
3
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Subiektywizm i problemy egzystencjalne w "Zapiskach Maltego Lauridsa Brigge" Reinera Marii Rilkego oraz w "Godzinie prawdziwych odczuć" Petera Handkego

94%
Majcher P.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2016
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vol. 33
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issue 3
187-196
EN
This article analyses The Notebooks of Malte Laurids Brigge (1910) by Rainer Maria Rilke and A Moment of True Feeling (1975) by Peter Handke, aiming to demonstrate that the protagonists of the two works are trying to overcome existential problems through the subjectivist perception of reality. The article demonstrates how Rilke and Handke referred to subjectivity in their works listed above. The comparison of The Notebooks of Malte Laurids Brigge and A Moment of True Feeling reveals Handke’s attitude to the concept proposed by Rilke.
4
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Subiektywizm i problemy egzystencjalne w "Zapiskach Maltego Lauridsa Brigge" Reinera Marii Rilkego oraz w "Godzinie prawdziwych odczuć" Petera Handkego

84%
Majcher P., Uniwersytet Pedagogiczny im. KEN w Krakowie W. F., majpiotr@interia.pl
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2016
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vol. 33
|
issue 3
EN
This article analyses The Notebooks of Malte Laurids Brigge (1910) by Rainer Maria Rilke and A Moment of True Feeling (1975) by Peter Handke, aiming to demonstrate that the protagonists of the two works are trying to overcome existential problems through the subjectivist perception of reality. The article demonstrates how Rilke and Handke referred to subjectivity in their works listed above. The comparison of The Notebooks of Malte Laurids Brigge and A Moment of True Feeling reveals Handke’s attitude to the concept proposed by Rilke.
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