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Kult św. Cecylii, Dziewicy i Męczennicy w polskiej pieśni religijnej na przykładzie pieśni J. Łuciuka, M. Świerzyńskiego, A. Chlondowskiego i Z. Piaseckiego

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Szczeblewski Ł.
Seminare. Poszukiwania naukowe
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2015
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vol. 36
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issue 2
197-213
EN
The contemporary religious songs in honour of Saint Cecile presented in this work prove that the cult of the Saint Virgin and Martyr is still prevailing in the Catholic Church. The article describes the life of Saint Cecile and provides a brief history of her cult. Presentation of songs in honour of this Patron of music constitutes an essential part of the study. The author begins with an analysis of their melodic aspects focusing, among others, on the kinds of melodies and intervallic scales. The article discusses also rhythmicity and the lyrics of the presented works . It is worth emphasizing that these songs might be used during celebration of Eucharistic Liturgy on the Day of Saint Cecile as well as during other services held in honour of the Roman Martyr.
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Różnorodność form muzycznych w zbiorze „Panu memu śpiewać chcę” ks. Zbigniewa Piaseckiego (1916-2011)

100%
Szczeblewski Ł.
Teologiczne Studia Siedleckie
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2014
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issue XI/11
169-182
EN
According to the music, religious folk songs are not a homogeneous material. The repertoire of religious songs disseminated in many editions is characterized by stylistic and formal diversity. The example of such a set is Rev. Zbigniew Piasecki’s collection “I want to sing for my Lord”. This article is a presentation of the musical forms included in the collec-tion. At the beginning, the forms of verses and choruses were discussed. Afterwards, differen-tiation of the verse forms was shown by the presentation of one-, two- and three-part compo-sition. The next step was the presentation of the hymns that are a special kind of the verse songs. Then, the psalms that belong to a group of refrain songs were discussed. The following part of the article presented the liturgical masses. The final part discussed the wide range of religious songs, that can be found in Rev. Piasecki’s edition. The variety of the music forms shows the diverse nature of songs included in this edition. However, the further study of the detailed aesthetic and liturgical assessment of the repertoire contained in the collection are required.
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