In the Emilian Po plain, during the Late Iron Age (4th and 3rd century BCE), an unprecedented and heteroge neous class of handmade coarse and decorated ceramics emerged in certain sites. In comparison to other Transpadane regions, its presence is not dominant or statistically significant, except for a few sites that are characterised by more evident La Tène imports and burial customs. This pottery gradually disappeared during the Roman conquest (late 3rd–2nd century BCE), except in some rural areas and in the westernmost colonies. The aim of this paper is to outline the key features of this distinctive and challenging pottery and to explore functional and potential social and cultural interpretations, while also considering cross cultural comparisons.
The essay aims to analyze the writings of Gianni Celati and his way of ‘re-narrating’ and ‘re-mapping’ the environment in contemporary times, focusing on two trilogies, namely Narratori delle pianure (1985), Quattro novelle sulle apparenze (1987) and Verso la foce (1989), as well as on the collections of short stories Un eroe moderno (2008), Il benessere arriva in casa Pucci (2008), and Selve d’amore (2013). The paper discusses how the themes addressed by the author, who assumes the role of a flâneur of postmod- ernism, are a way to express his continuous nostalgia for the naturalness, simplicity, and originality of living and narrating.
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