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Le silence de la personne présente dans le théâtre français du XXe siècle

100%
Modrzejewska K.
Quêtes littéraires
|
2012
|
issue 2
93-100
EN
The consideration of the silence of a present person in some French 20th century drama reveals the power and the cruelty of human silence. The play by Anouilh displays the destiny of a woman who is convicted to be a voiceless witness, whereas the one by Beckett shows the silence of a husband begged by his companion to confirm her presence. In the play by Lagarce, the agony of an ungrateful son unleashes a torrent of complaints pronounced by a women belonging to his family. Finally, both of the analysed plays by Sarraute show the consequences of silence in relations between friends.
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ПРАВДА И ЛОЖЬ В ДРАМАТУРГИИ НАТАЛИ САРРОТ

85%
Кириченко В.
Conversatoria Litteraria
|
2016
|
vol. 10
|
issue -
179-184
RU
The article is devoted to the analysis of opposition between truth and lie in Nathalie Sarraute's (1900-1999) dramaturgy. The emphasis is put on charac-ters' speech, author's point of view and definitive traits of «Nouveau Roman» in the Sarraute's works.
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