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SK
Autorka prispevku analyzuje polske preklady slovenskej prózy naturizmu, ktory je v primarnom horizonte vel'mi zaujimavym fenomenom a najcastejsie sa preklada do polstiny. Autorka sa zameriava na reprezentativne preklady, strategie vyberu textov na preklad a strategie prekladania naturizmu v meniacej sa kulturnej perspektive druhej polovice 20. storocia. Historicka a kulturna situacia, historicka vzdialenost’ medzi ori- ginalmi a ich prekladmi ma najvaćśi vplyv na vyber textov, ale aj na strategie, ktore si prekladatelia vyberaju pocas procesu prekladu. Z hladiska kultury a literatury sa v Polsku v roku 1956 objavila slovenska próza naturizmu vo velmi sirokom zastupeni, ale neo- vplyvnila prijemcov a nemala moznost ovplyvnit’ vyvoj prijimajucej literatury. Autorka clanku sa snazi odpovedat na otazku, ake boli toho priciny.
EN
The author of the article analyses Polish translations of the Slovak naturalist prose which is a very interesting phenomenon at the primary horizon and appears to be the most frequently translated into Polish. The author concentrates on the represen- tative translations, strategies of selection and strategies of translation of the naturalism in the changing cultural perspective of the second half of the twentieth century. Historical and cultural situation, historical distance between the originals and their translations has the biggest influence for the selection of the texts but also for the strategies which translators choose during the process of translation. In the perspective of cultural and literature turn in Poland in 1956, Slovak naturalist prose had the chance to appear in the second horizon but it did not affect recipients and did not have the possibility to impact the development of the receiving literaturę. The author of the article tries to explain the reasons for that.
SK
V svojom članku autorka uvažuje na tému prekladových výborov Jacka Bukowského, poľského prekladateľa prózy Václava Pankovčína, predstaviteľa mládej generácie slovenských spisovateľov, debutujúcich na začiatku 90 tých rokov. Zbierka krátkych poviedok Marakéš (1994) a novela Tri ženy pod orechom (1996), ktoré boli publikované v Poľsku pod názvom Marakesz (2006) sú ojedinelé preklady slovenskej prózy vychádzajúce v tomto roku. Autorka članku rozvažuje výbor prekladovej stratégie a jeho konzekvencie.
EN
The author presents in this paper her consideration of the strategy of translation taken by Jacek Bukowski, polish translator of Václav Pankovčín prose. Short stories Marakéš (1994) and the novel Tri ženy pod orechom (1996) by Václav Pankovčín were publicated in Poland under the title Marakesz (2006) and are the only one example of slovak prose transalted into polish this year. The author of the paper discusses transtlatological problems of the prose wchich strongly corespondents with magical realism, she concentrates on the semantic signals of the text, significant elements of the structure which define the boundary‑line of the meaning space of Václav Pankovčín works. Finaly she reflects on the transfer of implicated senses and meanings from original into translation. She reflects how in proces of translation the translator transfered hormony of fundamental codes of the original (lexical, semantics, cultural and estetic).
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SK
Autora príspevku sa zameriava na konkrétnu školu prekladu, ktorej základy formulovala v slovakistickom prostredí druhej polovice 20. storočia známa poľská prekladateľka slovenskej literatúry Danuta Abrahamowicz. V príspevku sa definujú všetky aspekty prekladateľskej činností Abrahamowicz. Výskumy v rámci literárnej vedy, kritická, publikačná, redakčná a prekladateľská činnosť, všetky tieto vystúpenia ukazujú jej metódu vnímania prekladu a zdôrazňujú spôsoby, ktorými Abrahamowicz ho implementuje v novy horizont príjmu, aby sa stal faktom prijímajúcej kultúry.
EN
The author of the article focuses on the specific school of translation formulated by the well‑known Polish translator of Slovak literature, Danuta Abrahamowicz in the Slovak environment of the second half of the 20th century. The article defines all aspects of Abrahamowicz’s translatological activities. Her literary studies, critical, publishing, editorial and translation activity are examined in the article and finally, the article shows the ways in which Abrahamowicz perceived translation and the various ways of implementing it in a new horizon of reception to become a fact of the target culture.
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