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EN
Depictions of military martyrs were among the most popular subjects in icon painting in Rus’. Between the 11th and the 17th century local workshops adopted canonical Byzantine models and gradually developed and changed them depending on local factors and conditions. The present article attempts to classify the most common iconographic types and to describe the dynamic of the changes in the iconographic canon on the basis of a  qualitative and quantitative analysis of extant and known works.
EN
Artykuł dotyczy kalendarza z Kodeksu Gertrudy i składa się z dwóch części. W pierwszej autor odnosi się do dotychczasowej dyskusji dotyczącej czasu i miejsca powstania oraz wzorów kalendarza, w drugiej zaś stawia tezę o wpływie samej Gertrudy lub jej kręgu na kształt kalendarza, w szczególności zaś na dobór wspomnień świętych w nim zawarty. The paper deals with the calendar from Gertruda’s Codex and consists of two parts. In the first, the author discusses earlier proposals concerning the time and place of the calendar’s creation and its patterns, and in the second, a thesis is presented on the influence of Gertruda herself or her circle on the form of the calendar, especially the selection of the remembrances of saints it includes.
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