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Wojna, nacjonalizm chorwacki, seks i przekleństwa — czyli jak przetłumaczono książki Vedrany Rudan?

100%
Skrzeszewska M.
Przekłady Literatur Słowiańskich
|
2016
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vol. 7
|
issue 1
183-198
HR
Članak govori o načinu prevođenja djela Vedrane Rudan, jedne od najpopularnijih hrvatskih spisateljica u Poljskoj. Suvremene teorije upućuju na prijevod kao fokus znanstveno ‑istraživačkog rada. Zato je u članku naglasak stavljen na poljsku kulturu i jezik, kao i poljsku recepciju hrvatske književnosti. U radu su prikazani i analizirani problemi prevođenja s hrvatskoga jezika na poljski vezani uz psovke, seks i književne aluzije.
EN
This article shows the various translations of Vedrana Rudan who is one of the most popular Croatian writers in Poland. A common view of translation says that focusing on a translation not the original is needed. That is why Polish culture, language and the reception of Croatian literature in Poland are key factors. Therefore in this article the problems with translating the Croatian language such as swearwords, sex and literary allusions into Polish have been shown.
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Przekraczając granice. Problem przekładu wulgaryzmów i przekleństw

98%
Pycia P.
Przekłady Literatur Słowiańskich
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2012
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vol. 3
|
issue 1
135-148
HR
U radu se analizira problem tabu riječi koje se definiraju kao psovke i vulgarizmi te njihova upotreba i prijevod. Izvor analiziranih tabu riječi je roman Vedrane Rudan "Uho, grlo, nož" i njegov poljski prijevod "Ucho, gardło, nóż". Istraživani diskurs je zapravo idiolekt glavnog lika — žene, što je jako iznenađujuće i interesantno. Analiza opisuje vrste tabu riječi i izraza te različite metode njihovog prevođenja. Istraživanje dokazuje da se vulgarizmi upotrebljavaju puno češće u hrvatskom tekstu, dok su u poljskom prijevodu, u većini primjera, eufemizirani ili ignorirani.
EN
In this article the problem of taboo words, defined as curses and vulgarisms, appearing and translating is analysed. The source of investigated taboo words is Vedrana Rudan’s novel titled "Uho, grlo, nož" and its Polish translation "Ucho, gardło, nóż". It’s surprising and interesting that the investigated discourse is basically character’s idiolect — woman’s idiolect. The analysis describes the types of taboo words and expressions and presents various methods of their translation. It proves that vulgarisms occur in the Croatian text more frequently and in the Polish one they are in most cases euphemized or ignored.
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