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EN
The subject of analysis in this article is the poetic complex of the sea in the poetry of Galina Kuznetsova, a poet representing the “first wave” of Russian emigration. In the Olive Orchard (Олив-ковый сад, 1937), the only poetry book she published, the sea appears as a source of aesthetic sen-sations, but above all it is an impulse for existential reflections of the narrative subject, a projection of his mental states and an explanation of her artistic worldview.In the analysis of maritime themes in Kuznetsova’s poetry, Vladimir Toporov’s research was used. according to which the poetic complex of the sea is determined by the psychophysiological structure of the author of the text and is a carrier of non-poetic realities.
EN
The article analyzes the mythologization of Kaunas, the temporary capital of Lithuania, in the Lithuanian literature of the interwar period. The methodological approach of the research is based on the research methods of urban mythopoetics by Vladimir Toporov and that of topological semiotics by Algirdas Julien Greimas. Due to objective historical and social circumstances, the formation of the Lithuanian urban literature started only at the beginning of the 20th century. The intensive period in the urbanization of the Lithuanian literature was that of the interwar period when literary reflections on Kaunas started gaining certain dominant symbolic images of the city, repeating plots and characters typical of Kaunas. The literary myth of the temporary capital as a pernicious city which becomes a moral trial for an individual is revealed in the article through the analysis of Part III of the novel Altorių šešėly [In the shadows of altars] by Vincas Mykolaitis-Putinas, the most prominent Lithuanian novelist of the interwar period.
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